Production History
Browse the detailed season-by-season production history using the menu on the left, and be sure to check out the full timeline for insights on how the company developed over its quarter-century history.
Porchlight Music Theatre’s Chicago & World Premieres
16 Chicago Premieres
2023 – Ernest Shackleton Loves Me
2017 – The Scottsboro Boys
2017 – Marry Me a Little (New Sondheim Approved Revision)
2016 – End of the Rainbow
2016 – Far From Heaven
2015 – Sondheim on Sondheim
2015 – Side Show (New Version)
2013 – Double Trouble
2012 – The Gifts of the Magi
2012 – A Class Act
2012 – A Catered Affair
2011 – Meet John Doe
2005 – Elegies
1996 – Family Album
1995 – Macabaret
5 World Premieres
2007 – The Teapot Scandals
1998 – The Vanishing Point
1996 – The Still Time
1996 – Hereafter
1995 – Women Who Love Science Too Much
1994
Founding Artistic Director Jill Moore approaches her boss and mentor at the National Association of Realtors (NAR), Kim Shambrook, to say that she wants to start a theatre company. With Chicago’s storefront scene booming, Moore and some fellow University of Arizona grads begin creating an artistic ensemble. Planning gets real as Moore and Shambrook work to form a board of directors and a volunteer staff. They tap several NAR employees to serve, including current Executive Director Jeannie Lukow who joins the board and serves as Marketing Director. Ensemble member Wm. Eric Bramlett is named Managing Director.
1995
The board works to create the organization’s mission and structure, and Porchlight Theatre Ensemble is incorporated as a not-for-profit on March 20, 1995. The first season is planned, and the first fundraising events are held, including “A Porchlight Summer Night” cabaret evening held at The Theatre Building (now Stage 773).
More than a year after Moore’s dream was hatched, Porchlight mounts its first season, starting with the world premiere of Kathleen “K.R.” Cahill’s play Women Who Love Science Too Much at The Red Bones Theatre at 4147 N. Broadway, directed by Eric Bramlett. Tickets are $15 (two-for-one on Sundays) and the production runs September 2-30 with three performances a week. Critic Lawrence Bommer (Chicago Tribune) calls it “the perfect date show.” The company immediately contracts another Cahill show for season two.
The first season continues with the company’s first musical, the Chicago premiere of Macabaret, by Rob Hartmann and Scott Keyes, a talented writing team from New York. A fellow University of Arizona grad, Hartmann is also part of the founding artistic ensemble. The show is produced in the Organic Theater Greenhouse/Lab Theater (3319 N. Clark St.) with Hartmann directing. Critic Chris Jones, in NewCity Chicago, calls it “tuneful, funny” and the show regularly sells out the roughly 30-person house and starts a 25-year commitment to music theatre.
While the company planned to do more musicals in season two, not all in the ensemble were happy with that choice. The first year continued with the Chicago premiere of ensemble member Jenny Noa’s one-woman biography, Family Album, running at StageLeft, followed by Chekov’s Three Sisters at Footsteps Theater in Andersonville. As the company began a strategic course to focus exclusively on music theatre, the ensemble disbands. Moore, Bramlett and Lukow run the artistic and operational side of the company, aided by a small but committed board of directors, under a mission to “create and sustain an artistic home for Chicago audiences and emerging artists where, through the power of the shared experience of life’s conflicts and joys, we inspire our community to learn, to build hope, and to transform their lives and the world around them.”
1996
The second season begins with the world premiere of Kathleen Cahill’s The Still Time, the last play the company produces during these formative years, as it fully turns its producing sights on music theatre. It is followed by the return of the fall musical favorite, Macabaret, this time in the basement of The O Bar at 3730 N. Clark St. in Wrigleyville.
The season culminates with the company’s first world premiere musical, Hereafter, by Rob Hartmann and Scott Keyes, playing at StageLeft. Ticket prices have increased to $15, and there’s a special preview performance benefiting Season of Concern. Adam Langer of the Chicago Reader says the new musical is “witty, diverting and heartrending.” Founding Artistic Director Jill Moore gives Porchlight the news that she and her husband will be moving to Los Angeles. Eric Bramlett is named interim Artistic Director; Jeannie Lukow is named Managing Director. The company goes on producing hiatus for nearly a year.
1997
With a slight rebranding to Porchlight Theatre, the company spends the first part of the year on organizational planning and launching the Artistic Director search. In the summer of 1997, Eric Bramlett finds the ideal AD prospect. His brother, Elic, is appearing in a production of Sweeney Todd at the Athenaeum Theatre, produced by a young up-and-comer, L. Walter Stearns. Stearns has been directing and producing musicals for a couple of years under the banner Effective Theatre with creative/life partner Eugene Dizon, but hasn’t formed a nonprofit nor recruited a board. Porchlight has everything Stearns needs, and vice versa. It proves to be a great match. In the fall of 1997, Porchlight brings back Macabaret, this time at Victory Gardens, the final production before Stearns agrees to assume the artistic leadership position.
1998-1999
The season, planned collaboratively between Bramlett and Stearns, starts with the world premiere musical, The Vanishing Point, also by Hartmann & Keys and directed by Bramlett, and with Moore getting Artistic Advisor credit. On opening night, board members carry dozens of bags of sand up the stairs at the pre-elevator Athenaeum to complete the set, which depicts a fictitious desert island where Agatha Christie, Amelia Earhardt and Aimee Semple McPherson. The production budget is just over $10,000. The season continues with Porchlight’s first artistic collaboration with the new artistic leadership, the musical comedy Ruthless, directed by Stearns and music directed by Dizon.
On Friday, April 20, board member Ron Kowalski hosts a pre-show fundraiser at Zum Deutschen Eck, 2924 N. Southport, supporting the new production of William Finn’s Falsettos. Produced in collaboration with Fred Solari, this city of Chicago premiere production plays an extended summer run at The Athenaeum (where Porchlight is now calling home), and collects nearly $7500 for Season of Concern. It is remounted in summer 2000 at Theatre on the Lake. The season is Porchlight’s first for the Jeff Citations (non-Equity Jeff Awards) eligibility, and music director Eugene Dizon is nominated for The Vanishing Point.
1999-2000
Colette Collage opens the fifth season at Porchlight, under the theme “real-life passions set to music” which offers the company’s first subscription series. Next up in the season of biographical musicals is the company’s best-received show to date, Sondheim’s Merrily We Roll Along, which garners the company its first Best Production nomination at the Citations, one of six nominations that results in the company’s first Citation wins — Samantha Fitschen (Choreography) and Eugene Dizon (Music Direction).
2000-2001
The new “Sensational Sondheim” season opens with Into the Woods on Sunday, November 26, hailed by Chris Jones, special critic to the Chicago Tribune, as “a marvel of Porchlight ingenuity.” The production, which boasts a budget of just over $25,000, is revived that summer at Theatre on the Lake. Passion follows, opening March 18, 2001. Both are directed by Stearns and music directed by Dizon. It’s clear that Porchlight is starting to outgrow the 90-seat studios at The Athenaeum.
2001-2002
Porchlight Theatre, now using the tagline “Chicago’s premier music theatre,” moves to The Theater Building at 1225 W. Belmont. Two-show season subscriptions are $40, three-show packages are $55. Becoming known for its Sondheim productions, Porchlight begins the season with A Little Night Music which grosses nearly $50,000 and is followed by the Chicago premiere of Children of Eden, which sees the return of director Eric Bramlett to Porchlight and also the local premiere of new college graduate Bethany Thomas.
The company holds its first Gala, themed “Support the Vision,” on February 22 at the Chicago Cultural Center. With sponsor Blue Cross-Blue Shield of Illinois and Cultural Affairs Commissioner Lois Weisberg serving as Honorary Chair, the evening features a multi-course meal with wine, cabaret performances, and live and silent auctions. The season ends with another Chicago premiere, William Finn’s A New Brain, at Chicago’s downtown Storefront Theatre.
2002-2003
The season begins with Burt Bacharach’s Promises, Promises which has runs planned for three Chicagoland venues. In August, Theatre on the Lake breaks from tradition and bring in Porchlight’s the show for a preview run, rather than a revival. The main run opens at The Theatre Building in September, and transfers to the Metropolis Centre for the Performing Arts in Arlington Heights for a pre-holiday engagement.
On February 20, the annual gala “Brighten the Light”, coordinated by supporter Michelle Guzik, is held at the Drake Hotel’s Gold Coast Room. Tickets are $80 each, and Maggie Daley (Chair, Chicago Cultural Foundation) and Lois Weisberg are Honorary Chairs. The season closes with another Sondheim, Company (which is revived in summer 2003 at Theatre on the Lake), and the year is honored with 12 Jeff Citation nominations.
2003-2004
With a name change to Porchlight Music Theatre and a new logo, the ninth season opens in October at Theatre Building Chicago with Kander & Ebb’s Cabaret. “On the Town: A Celebration of Leonard Bernstein” is the theme of the 2004 gala held on February 26 at The Drake Hotel. The season closes with Amadeus, featuring artistic associate Bil Ingraham as Salieri.
2004-2005
An ambitious year is planned for the 10th anniversary season, with the company entering into its first union contract with Actors’ Equity Association and producing the nation’s first-ever festival of the works of William Finn. Sondheim’s Sweeney Todd, starring Rebecca Finnegan and Aaron Michael Lindner, kicks things off, followed by Maltby & Shire’s Closer Than Ever, directed by Nick Bowling and revived at Theatre on the Lake. The 2005 gala, “DecaDence,” celebrates the milestone year with an evening of lavish fun at The Drake Hotel. The season ends with Finn Fest, featuring four of Finn’s works in rotating rep: In Trousers, Falsettos, A New Brain and the Chicago premiere of Elegies: A Song Cycle. Porchlight brings in Finn for the celebration which includes a meet-and-greet on April 16 and a discussion of In Trousers the following day. Finn Fest culminates with a cabaret-style tribute, “aFINNity: Chicago Salutes William Finn” directed by Rob Lindley, and produced by Porchlight’s newly formed Artistic Associates. The budget for the entire festival is just over $110,000. The cabaret goes on to be an annual event we now know as “Chicago Sings.” The season’s productions – now eligible for the Equity Joseph Jefferson Awards – sweeps the Jeffs, nabbing 10 noms and 5 awards, and Porchlight is moved to the new Midsize category.
2005-2006
Sondheim’s Gypsy kicks off the new season, followed by a long-anticipated return of Macabaret, this time directed by artistic associate Matthew Gunnels, music directed by Steve Sivak and choreographed by Brenda Didier — her first in a long line of artistic work with Porchlight.
“A Scandalous Affair” gala benefit is held on March 1 at The Drake Hotel. The annual cabaret is “After Sondheim: Broadway’s New School of Composers,” directed by Rob Lindley and music directed by Doug Peck — the duo would go on to helm the concert for nearly a dozen more years though its evolution to one of Porchlight’s most successful events, the annual “Chicago Sings.”
The season closes with The Secret Garden, which is revived in August at Theatre on the Lake. Rhoda Reeling steps down as chair of the Porchlight Board after holding the post for 10 years, the longest serving chair in the company’s history. The Artistic Associates launch “Off the Porch,” to pursue and present new musical works in development. The company moves its business office to a storefront at 2814 N. Lincoln Ave. that also accommodates storage and a rehearsal space.
2006-2007
“The American Experience, Set to Music” season sees Porchlight mounting its first holiday show, A Wonderful Life, and welcoming writer/lyricist Sheldon Harnick attending the show on December 9. and follows that up with another world premiere musical, The Teapot Scandals, written and composed by artistic associate Jon Steinhagen which runs in rep with Sondheim’s Assassins, directed by Michael Weber, music directed by artistic associate Doug Peck and choreographed by Tammy Mader.
The annual concert, “Hit Factory: Songs of the Brill Building,” is presented by the Artistic Associates on February 20th at the Mercury Theatre, and the annual gala becomes a brunch affair on Sunday, March 4th at The Drake Hotel. The season ends with Ragtime, far and away Porchlight’s most successful production to date. After a spring run at Theatre Building Chicago, the show transfers to Chicago’s Apollo Theater through August. Ragtime nabs seven Jeff nominations and four Jeff Awards, including the company’s first Best Production award and Best Director for L. Walter Stearns.
The Artistic Associates/Off the Porch present “First Look: Readings and Sections from Musicals Under Development”including Matt Raftery’s Lead the Way and Brendan Kelly’s A Maid Without the Means or the Times. Don Sprague is hired as part-time Operations Manager.
2007-2008
Maury Yeston joins Porchlight for the opening of his Phantom on September 16, including an exclusive pre-show donor reception and a post-show discussion with the audience. Yeston is added to the recently formed Advisory Board, along with William Finn. The season continues with a return of A Wonderful Life directed by artistic associate Rob Lindley, and welcoming writer/lyricist Sheldon Harnick attending the show on December 9, and closes with Yeston’s Nine, starring Jeff Parker.
2008-2009
“A Year of Musical Destinations” season opens with Candide, directed/music directed by Stearns and Dizon. It is followed by the ambitious Sondheim piece Pacific Overtures. The season ends with the uplifting Once On This Island, directed by by Mark Lococo and choreographed by artistic associate Brenda Didier. The annual concert, now branded as Chicago Sings, is presented on Monday, June 15, with “A Place for Us: Chicago Sings Bernstein” at the Greenhouse Theatre Center. Proceeds benefit the 15th anniversary season. Founding board member Jeannie Lukow is elected to board president, a position she holds for six years. Jonathan Heuring is hired as Managing Director, the company’s first paid full-time position.
2009-2010
Young director Sean Kelly helms the 15th anniversary season opener, The Fantasticks, which is followed by a return of Macabaret and a new holiday favorite, Miracle on 34th Street, with veteran actor Jim Sherman as Santa Claus. The season closes with Into The Woods, which features artistic associate Bethany Thomas as The Witch. Three-show subscriptions are $100 each.
An anniversary fundraising concert, “Porchlight Celebrates Fabulous Fifteen,” is held on November 16 at Theatre Building Chicago and the Chicago Sings benefit concert is held on June 7th at Mayne Stage. “Chicago Sings: Sondheim” is the first of many helmed by Rob Lindley and recent Northwestern grad Doug Peck, and starts the tradition of a“star-studded lineup, featuring such names as Ross Lehman, Jeff Parker, McKinley Carter and Jessie Mueller.
2010-2011
Sondheims’ A Sunday in the Park with George kicks off the final season under Stearns and Dizon, who plan to take over The Mercury Theater on Southport. As a national search for a new Artistic Director begins in the fall of 2011, the remainder of the season features a revival of Miracle on 34th Street, directed by artistic associate Christopher Pazdernik, the regional premiere of Meet John Doe, directed and choreographed by James Beaudry, and closes with The King and I, starring Briana Borger as Anna. The Artistic Director search leads Porchlight to veteran actor/director Michael Weber whose arrival in June 2011 begins a new phase of artistic and organizational expansion.
2011-2012
In fall 2011 Porchlight moves its office, rehearsal and storage to the former Hammond Organ Factory at 4200 W. Diversey where it expands to three rehearsal studios and a scenic shop. The season, planned prior to Weber’s arrival by artistic associates Bil Ingraham and Rob Lindley, begins with Sondheim’s Putting it Together at Theater Wit, starring veterans Adam Pelty and McKinley Carter. The show, directed by Brenda Didier and music directed by Austin Cook, is incredibly well received.
Back at its home theater, now called Stage 773, the season continues with A Catered Affair directed by Nick Bowling and music directed by Doug Peck, and closes the season with Jonathan Larson’s tick, tick…BOOM! starring Adrian Aguilar with direction by Adam Pelty and music director Diana Lawrence. Lawrence’s band, Diana and the Dishes, perform an after-hours concert in the lobby. The annual fundraiser, rebranded as the ICONS Gala, honoring Michael Bennett, is held in July at The University Club and sees the launch of Guy Adkins Award for Excellence in the Advancement of Music Theatre in Chicago. The inaugural award is bestowed to L. Walter Stearns.
2012-2013
The School at Porchlight is launched, providing music theatre training for professionals, immersion programming for enthusiasts, and the first steps toward education and outreach to Chicago youth. The Chicago premiere of Lonny Price’s A Class Act opens the season, directed by Stacey Flaster and music directed by artistic associate Beckie Menzie. It is followed by The Gifts of the Magi, the O. Henry tale, directed by Mark Lococo, music directed by Elizabeth Doran and choreographed by Brenda Didier.
The season continues with two hits for Porchlight: Lady Day at Emerson’s Bar & Grill, directed by Rob Lindley and music directed by Jaret Landon, and Pal Joey, with Michael Weber in his first directing gig since taking the helm at Porchlight. Lady Day transfers to the Beverly Arts Center for a three-performance run on March 22-24. The season receives 12 Jeff nominations and three awards, including Best Production-Midsize Musical for A Class Act, as well as its first showing at the Black Theatre Alliance Awards with two nominations and one win for Lady Day star Alexis Rogers. Porchlight presents Best Musical! A Completely Improves Musical Comedy, in collaboration with creator Matthew Loren Cohen, at Stage 773 for three installments including a special Holiday Edition.
2013-2014
Brothers Adrian and Alex Aguilar team up for Double Trouble, directed by Matt Crowle and music directed by artistic associate Linda Madonia. In winter 2014, the wildly popular Ain’t Misbehavin’ opens, directed and choreographed by Didier and music directed by Jaret Landon. Favorite Lorenzo Rush Jr makes his Porchlight debut. How to Succeed in Business Without Really Trying, directed by Rob Lindley and music directed by Kory Danielson, closes the season. Ain’t Misbehavin’ wins the Jeff Award for Best Production-Midsize Musical was well as seven BTAA nominations.
Best Musical! A Completely Improves Musical Comedy returns, this time at Second City’s UP Comedy Club from October 2 through November 6 for a final run. The company decides instead to focus resources on creating a new program, Porchlight Revisits, a series of lost musicals in staged concert which launches at Stage 773 on October 25 with Anyone Can Whistle directed by Christopher Pazdernik, and is followed by Golden Boy on February 26 and Fade Out-Fade In on May 24.
2014-2015
As Jeannie Lukow joins the staff as the company’s first Executive Director, Chicago Sings, still at Mayne Stage, breaks with the composer-focused approach of previous editions and celebrates the music of the Disney musicals and breaks fundraising records for the event. The 20th anniversary season’s salute to Stephen Sondheim opens with Sweeney Todd, directed by Michael Weber and music directed by Doug Peck, and starring David Giorolmo and Rebecca Finnegan. The Porchlight Revisits series expands to two nights and features Bells Are Ringing, City of Angels, and Mack & Mabel.
The Chicago premiere of Sondheim on Sondheim plays in the winter, directed by Nick Bowling and music directed by Austin Cook who also stars in the show, along with his fiancee Adrienne Walker, as well as Porchlight favorites Stephen Rader, James Earl Jones II, and Rebecca Finnegan. The season ends with A Funny Thing Happened on the Way to the Forum, and for 11 Jeff Awards and wins four, including Best Production-Midize Musical for Sondheim on Sondheim.
2015-2016
“Chicago Sings: Motown” — with 300 guests — kicks off the season on August 17 at City Winery. The season expands to four productions including Side Show, a winter return of Ain’t Misbehavin’, the Chicago premiere of Far From Heaven starring Summer Naomi Smart and the hit Dreamgirls starring Donica Lynn. One of the season’s four Jeff awards, among 11 nominations, is Best Production-Midsize Musical for Dreamgirls, which also nominated for four Black Theatre Alliance Awards and sees star Donica Lynn winning a BTAA for for Best Actress in a Musical. The New Faces Sing Broadway revue series highlighting the hits and misses from one season on the Great White Way debuts at Chicago’s Uptown Underground. New Faces Sing Broadway: 1991 features 10 up-and-comers and celebrity host Meghan Murphy.
2016-2017
City Winery is the venue for the season kick-off, “Chicago Sings: The Beatles” on August 22. Porchlight’s mainstage season opener, In The Heights, attracts record attendance, critical acclaim and four extensions for an all-time high of 78 performances, despite receiving only 2-½ stars from Chris Jones. The hit End of the Rainbow starring Angela Ingersol ends up running simultaneously (in the Pro space) with In The Heights (in the Thrust space) at Stage 773, marking the first time Porchlight has two sold-out shows running at the same time. The season continues with the Chicago Premiere of the Scottsboro Boys and concludes with the final Porchlight production in its 15-year run at Stage 773 — Sondheim’s Marry Me a Little starring Austin Cook and Bethany Thomas. The season is honored with 13 Jeff nominations and three Jeff awards including the Best Production-Midsize Musical prize for The Scottsboro Boys, which also wins four Black Theatre Alliance Awards including Ensemble, Choreography, Costume Design and posthumously awarded Best Director-Musical for Samuel G. Roberson.
In June, the “Make Your Own Musical” summer camps for ages 7-12 are successfully launched with two full sessions at DePaul University, and with more than 50% of the students receiving full or partial scholarships. Thanks to the generosity of Porchlight donors, this program is in its third year and is expanding to more camp sessions as well as youth intensives in 2020.
2017-2018
Porchlight makes a bold move, becoming a multi-year Artist In-Residence at The Ruth Page Center for the Arts in Chicago’s Gold Coast. After kicking off the season with “Chicago Sings: The Rat Pack,” now at UP Comedy Club, the mainstage season at Ruth Page opens with Billy Elliot the Musical, running for 13 weeks. It is followed by Sondheim’s Merrily We Roll Along which features a special one-night-only Porchlight Revisits presentation of the play Merrily We Roll Along, and the Chicago premiere of Memphis. The spring ICONS Gala moves to the Ritz-Carlton and celebrates Fred Astaire on April 15. Porchlight offers its first program for Chicago youth with the “Make Your Own Musical” summer camps, held at DePaul University. At the season’s Jeff Awards, the company is honored with 12 nominations including Best Production-Midsize Musical for Memphis, which also nabs five Black Theatre Alliance Awards.
2018-2019
Before beginning the season, the company celebrated at UP Comedy Club with “Chicago: Sings the MGM Musicals” and at the annual concert bestowed the inaugural Luminary Award for Exemplary Leadership and Support of Music Theatre in Chicago to board member and long-time local producer Jim Jensen. The Luminary Award recognizes an outstanding individual, family or family foundation with a history of philanthropic and volunteer leadership on behalf of Porchlight Music Theatre and music theatre in Chicago, and whose generosity inspires others to philanthropic action.
With Porchlight’s fan base growing, the company opens its second season at The Ruth Page Center with E. Faye Butler starring in Gypsy followed by A Gentleman’s Guide to Love and Murder. Porchlight breaks is Ruth Page box office record with a stunning production of A Chorus Line directed by Brenda Didier and choreographed by Christopher Chase Carter, to close the season.
The season is nominated for a stunning 17 Jeff Awards including all Best Production-Midsize Musical for all of the three mainstage productions and the coveted Ensemble for A Chorus Line.
MAINSTAGE
Anything Goes
January 13 – March 10, 2024 at The Ruth Page Center for the Arts
Music and Lyrics by Cole Porter
Original Book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse
New Book by Timothy Crouse & John Weidman
Music by Michael Weber
Music Direction by Nick Sula
Choreography by Tammy Mader
“A rush of vitality, honesty, vulnerability and a palpable love for old-school Broadway.” – Chris Jones, Chicago Tribune
Jeff Award Nominations (Equity)
Best Production of a Musical
Performer in a Principal Role / Musical / Meghan Murphy
Performer in a Supporting Role Musical / Jackson Evans
Performer in a Supporting Role / Musical / Steve McDonagh
Choreography / Tammy Mader
Music Direction / Nick Sula
Director of a Musical (Large) / Michael Weber
ARTISTIC PROGRAMS
Porchlight in Concert: Sunday in the Park with George
May 11 & 12, 2024 at The Studebaker Theater
Music & Lyrics by Stephen Sondheim
Book by James Lapine
Directed by Michael Weber
Music Directed by David Fiorello
A 40th anniversary staged concert celebration of Stephen Sondheim and James Lapine’s Pulitzer-, Tony- and Oliver-winning musical masterpiece. See Broadway’s Sean Allan Krill and Kathy Voytko with a stellar company perform this classic including the original orchestrations at the newly restored Studebaker Theater.
“Great theatrical and artistic triumph” – Paul Kuritz, PaulKuritz.com
MAINSTAGE
RENT
October 29 – December 11, 2022 at The Ruth Page Center for the Arts
Book, Music and Lyrics by Jonathan Larson
Direction by Adrian Abel Azevedo
Music Direction by Dr. Michael McBride
Choreography by Laura Savage
“Breathtaking…Porchlight’s production honors the spirit’s of Larson’s story beautifully.” – Broadway World Chicago
Cabaret
January 14 – March 19, 2023 at The Ruth Page Center for the Arts
Music by John Kander
Lyrics by Fred Ebb
Book by Joe Masteroff
Based on the 1951 play I am a Camera by John Van Druten adapted from the 1939 novella Goodbye to Berlin by Christopher Isherwood
Direction by Michael Weber
Assistant Direction & Choreography by Brenda Didier
Music Direction by Linda Madonia
“The best show of the year so far with a knockout Sally Bowles.” – Chris Jones, Chicago Tribune
Chicago Premiere
Ernest Shackleton Loves Me
May 6 – June 1, 2023 at The Ruth Page Center for the Arts
Book by Joe DiPietro
Music by Brendan Milburn
Lyrics by Val Vigoda
Orchestrations & Additional Music by Ryan O’Connell
Direction by Michael Unger
Music Direction by Eric Svejcar
“It just proves that you don’t need to go to Broadway to see Broadway caliber performances.” – Jeffrey Lyle Segal, Times Square Chronicles
PORCHLIGHT REVISITS
The Apple Tree
December 7 & 8, 2022 at The Ruth Page Center for the Arts
Music by Jerry Bock
Lyrics by Sheldon Harnick
Book by Bock & Harnick with contributions from Jerome Coopersmith
The Diary of Adam & Eve directed by Frankie Leo Bennett
The Lady or the Tiger? directed & choreographed by Jamal Howard
Passionella directed & choreographed by Laura Savage
I am a Camera
February 8 & 9, 2023 at The Ruth Page Center for the Arts
Written by John Van Druten
Direction by Nate Cohen
NEW FACES SING BROADWAY
New Faces Sing Broadway 1951
January 23 & 24, 2023 at Evanston SPACE and The Arts Club of Chicago
Direction by David Fiorello
Music Direction by Dr. Michael McBride
Hosted by David Girolmo
New Faces Sing Broadway 1984
April 25 & 26, 2023 at Evanston SPACE and The Den Theatre
Direction by Tommy Novak
Music Direction & Arrangements by Micky York
Hosted by Honey West
MAINSTAGE
Pump Boys & Dinettes
October 30 – December 12, 2021 at the Ruth Page Center for the Arts
Book, Music & Lyrics by John Foley, Mark Hardwick, Debra Monk, Cass Morgan, John Schimmel & Jim Wann
Direction by Daryl D. Brooks
Choreography by Rueben D. Echoles
Music Direction by Robert Reddrick
“BOUNCY, TOE-TAPPING, LIFE-AFFIRMING FUN” – Karen Topham, ChicagoOnStage.com
Black Theater Alliance Award Nominations
Best Set Design / Sydney Lynne
Best Musical Direction / Robert Reddrick
Best Lighting Design / Denise Karcewski
Blues in the Night
February 9 – March 20, 2022 at The Ruth Page Center for the Arts
Conceived by Sheldon Epps
With the music of Bessie Smith, Johnny Mercer, Harold Arlen, Vernon Duke, Gordon Jenkins, Alberta Hunter and others.
Direction & Choreography by Kenny Ingram
Music Direction by David Fiorello
Associate Music Direction and Conduction by Maulty Jewell IV
Assistant Choreography by Ariel Dorsey
“A REAL MUSICAL ESCAPE…ELEGANTLY STAGED AND WITH TOP-DRAWER LOCAL TALENT” – Chris Jones, Chicago Tribune
Jeff Awards & Nominations (Equity)
Production – Revue – Large (award winner)
Ensemble – Musical or Revue – Large
Director – Revue – Large / Kenny Ingram (award winner)
Performer in a Revue / Felicia P. Fields (award winner)
Performer in a Revue / Donica Lynn
Music Direction / David Fiorello (award winner)
Black Theater Alliance Award Nominations
Best Direction of a Musical / Kenny Ingram
Best Featured Actor in a Musical / Terrell Armstrong
Best Featured Actor in a Musical / Evan Tyrone Martin
Best Leading Actress in a Musical / Felicia P. Fields
Best Musical Direction / David Fiorello & Maulty Jewell IV
Best Choreography / Kenny Ingram
Spring Awakening
April 23 – June 2, 2022 at The Ruth Page Center for the Arts
Music by Duncan Sheik
Book & Lyrics by Steven Sater
Based on the 1891 German play Spring Awakening by Frank Wedekind
Direction and Choreography by Brenda Didier
Music Direction by Justin Akira Kono
Assistant Direction by Lorenzo Rush Jr.
Associate Choreography by Alejandro Fonseca
“RAW EMOTION” – Rachel Weinberg, BroadwayWorld.com
PORCHLIGHT REVISITS
Nunsense
November 18 & 19, 2021 at The Ruth Page Center for the Arts
Book, Music and Lyrics by Dan Goggin
Direction by Michelle Lauto
Musical Direction by Kailey Rockwell
Choreography by Jenna Schoppe
Passing Strange
May 18 & 19, 2022 at The Ruth Page Center for the Arts
Book and Lyrics by Stew
Music by Heidi Rodewald and Stew
Direction by Donterrio
Musical Direction by Bryan McCaffrey
Choreography by Terri K Woodall
Black Theater Alliance Award Nominations
Best Leading Actor in a Musical / Nolan Robinson
NEW FACES SING BROADWAY
New Faces Sing Broadway 1947
April 8 – May 5, 2022
Direction by Adrian Abel Azevedo
Music Direction by Linda Madonia
Hosted by Robin Da Silva
STAGED READINGS
Clear — A New Musical Experience
May 31, 2022 at The Ruth Page Center for the Arts
Book, Music and Lyrics by Paul Oakley Stovall
Direction by Reneisha J Jenkins
Musical Direction by Austin Deadman
MAINSTAGE
Sunset Boulevard
October 11 – December 8, 2019 at the Ruth Page Center for the Arts
Music by Andrew Lloyd Webber
Book & Lyrics by Don Black & Christopher Hampton
Based on the film by Billy Wilder
Direction by Michael Weber
Choreography by Shanna Vanderwerker
Music Direction by Aaron Benham
“Transfixing…strong…you really should come watch [Hollis Resnik] fly.” – Chris Jones, Chicago Tribune
Jeff Award Nominations (Equity)
Performer in a Principal Role/Musical / Hollis Resnik
Performer in a Supporting Role/Musical / Larry Adams
Sophisticated Ladies
January 24 – March 6, 2020 at The Ruth Page Center for the Arts
Music by Duke Ellington
Concept by Donald McKayle
Direction & Choreography by Brenda Didier & Florence Walker-Harris
Music Direction by Jermaine Hill
“Energizing from beginning to end!” – Art “Chat Daddy” Sims, WVON
Jeff Awards & Nominations (Equity)
Ensemble/Musical or Revue (winner)
Director/Musical or Revue / Brenda Didier & Florence Walker-Harris
Music Direction / Jermaine Hill (winner)
Choreography / Brenda Didier & Florence Walker-Harris
Projection Design / Anthony Churchill
Performer in a Revue / Donica Lynn
Performer in a Revue / Lorenzo Rush, Jr. (winner)
Black Theatre Alliance Award Nominations
Best Musical Direction / Jermaine Hill
Best Leading Actor in a Musical / Donterrio Johnson
The Ruffians’ Burning Bluebeard
December 13 – 27, 2019 at Ruth Page Center for the Arts
Written by Jay Torrence
Directed by Helena Kays
Choreography by Leah Urzendowski
Additional 2019 Choreography by Ariel Etana Triunfo
“Totally enthralling and transformative.” – Persephone Jones. Newcity
PORCHLIGHT REVISITS
Call Me Madam
November 20 & 21, 2019 at The Ruth Page Center for the Arts
Book by Howard Lindsay and Russel Crouse
Music and Lyrics by Irving Berlin
Direction by Christopher Pazdernik
Musical Direction by Micky York
Choreography by Jenna Schoppe
Starring Donica Lynn
NEW FACES SING BROADWAY
New Faces Sing Broadway 1956
October 29 & 30, 2019
Direction by Brianna Borger
Music Direction by Chuck Larkin
Hosted by Angela Ingersoll
Stage Manager: Sean Michael Mohler
Sound Board Operator (Arts Club): Warren “Levon” Jackson
New Faces Sing Broadway NOW
February 24 & 25, 2020
Direction by Johanna McKenzie Miller
Music Direction by Tom Vendafreddo
Hosted by Cory Goodrich
Stage Manager: Sean Michael Mohler
Sound Board Operator (Arts Club): Warren “Levon” Jackson
MAINSTAGE
Gypsy
October 12 – December 29, 2018 at Ruth Page Center for the Arts
Music by Jule Styne
Lyrics by Stephen Sondheim
Book by Arthur Laurents
Direction by Michael Weber
Associate Direction and Choreography by Christopher Chase Carter
Music Direction by David Fiorello
Assistant Direction by Robin DaSilva
“One of those rare Chicago theatre moments truly to savor.” Four out of four stars. -Chris Jones, Chicago Tribune
Jeff Awards & Nominations (Equity)
Best Production-Midsize Musical
Direction-Midsize Musical / Michael Weber
Performer in a Principal Role-Musical / E. Faye Butler (award winner)
Performer in a Supporting Role-Musical / Jose Antonio Garcia
Scenic Design-Midsize / Jeffrey D. Kmiec
Costume Design-Midsize / Bill Morey
Black Theater Alliance Award Nominations
Best Leading Actress in a Musical / E. Faye Butler (winner)
Most Promising Actress / Daryn Whitney Harrell
A Gentleman’s Guide to Love & Murder
January 25 – March 16, 2019 at Ruth Page Center for the Arts
Music by Steven Lutvak
Lyrics by Robert L. Freedman and Steven Lutvak
Book by Robert L. Freedman
Direction and Choreography by Stephen Schellhardt
Music Direction by Andra Velis Simon
“Fabulous! A smartly funny lark, produced by a Porchlight at the top of its game.” Four out of four stars. -Kris Vire, Chicago Sun-Times
Jeff Awards & Nominations (Equity)
Best Production-Midsize Musical
Direction-Midsize Musical / Stephen Schellhardt
Performer in a Principal Role-Musical / Matt Crowle
Performer in a Principal Role-Musical / Andres Enriquez
Performer in a Supporting Role-Musical / Emily Goldberg
Costume Design-Midsize / Jeff Hendry (award winner)
A Chorus Line
April 10 – May 31, 2019 at Ruth Page Center for the Arts
Music by Marvin Hamlisch
Lyrics by Edward Kleban
Book by James Kirkwood, Jr. and Nicholas Dante
Direction by Brenda Didier
Choreography by Christopher Chase Carter
Music Direction by Linda Madonia
“This production really is quite beautiful.” 3.5 out of 4 stars. -Chris Jones, Chicago Tribune
Jeff Award Nominations (Equity)
Best Production-Midsize Musical
Ensemble
Direction-Midsize Musical / Brenda Didier
Choreography / Christopher Chase Carter
Lighting Design-Midsize / Denise Karczewski
PORCHLIGHT REVISITS
1776
November 14 – 15, 2018 at Ruth Page Center for the Arts
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Direction by Michael Weber
Music Direction by Jeremy Ramey
Musical Staging by Michelle Lauto
Can-Can
March 6 – 7, 2019 at Ruth Page Center for the Arts
Music and Lyrics by Cole Porter
Book by Abe Burrows
Direction by Adrian Abel Azevedo
Music Direction by Linda Madonia
Choreography by Shanna VanDerwerker
Minnie’s Boys
May 22 – 23, 2019 at Ruth Page Center for the Arts
Book by Arthur Marx and Robert Fisher
Music by Larry Grossman
Lyrics by Hal Hackady
Direction and Choreography by Christopher Pazdernik
Music Direction by Christie Chile Twillie
NEW FACES SING BROADWAY
New Faces Sing Broadway 1964
November 19, 2018 at Skokie Theatre
November 20, 2018 at Arts Club of Chicago
Direction by Keely Vasquez
Music Direction by David Fiorello
Hosted by Paul Lisnek
New Faces Sing Broadway 1941
February 26, 2019 at Evanston SPACE
February 27, 2019 at Arts Club of Chicago
Direction by Johanna McKenzie Miller
Music Direction by David Fiorello
Hosted by Matt Crowle
New Faces Sing Broadway NOW
April 29, 2019 at Evanston SPACE
April 30, 2019 at Arts Club of Chicago
Direction by Christopher Pazdernik
Music Direction by David Fiorello
Hosted by Lorenzo Rush Jr.
MAINSTAGE
Billy Elliot the Musical
October 6 – December 31, 2017 at Ruth Page Center for the Arts
Music by Elton John
Originally Directed by Stephen Daldry
Book and Lyrics by Lee Hall
Direction and Choreography by Brenda Didier
Associate Choreography by Craig V. Miller
Music Direction by Linda Madonia
“The Porchlight Music Theatre production of “Billy Elliot,” through which I sat Sunday night with misty eyes, is to a great extent what I always hoped this piece would become in Chicago: not some massively budgeted musical with dazzling performances but kind, honest, authentically working-class, affordable, of the community. And real…I’m sure I’ll see ‘Billy Elliot’ again, although my long journey with this show feels complete now. Here it is, one more time, affordably priced but soul intact, ideal for families, bursting with veracity and heart, open for business in the city for which it was made.” -Chris Jones, Chicago Tribune
Jeff Award Nominations (Equity)
Performer in a Supporting Role-Musical / Shanesia Davis
Performer in a Supporting Role-Musical / Sean Fortunato
Lighting Design-Midsize / Denise Karczewski
Merrily We Roll Along
January 26 – March 17, 2018 at Ruth Page Center for the Arts
Music and Lyrics by Stephen Sondheim
Book by George Furth
Based on the play by George S. Kaufman
Direction by Michael Weber
Music Direction by Aaron Benham
Associate Direction and Musical Staging by Christopher Pazdernik
“If you plan to see just one musical this winter – ‘Merrily We Roll Along’ is the one to choose.” -Hedy Weiss, Chicago Sun-Times
Jeff Award Nominations (Equity)
Performer in a Principal Role-Musical / Matt Crowle
Projection Design-Midsize / Anthony Churchill
Costume Design-Midsize / Bill Morey
Memphis
April 19 – June 16, 2018 at Ruth Page Center for the Arts
Music and Lyrics by David Bryan
Book and Lyrics by Joe DiPietro
Direction by Daryl Brooks
Co-Choreography and Assistant Direction by Chris Carter
Music Direction by Jermaine Hill
Assistant Choreography by Reneisha Jenkins
“The new Porchlight production of the show… is nothing short of phenomenal and gives it a whole new life. A transformative evening in the theater, it features…a large, fiercely talented cast that brings an electric energy to the storytelling, which also includes a mixed-race love affair.” -Hedy Weiss, WTTW
Jeff Award Nominations (Equity)
Best Production-Midsize Musical
Direction-Midsize Musical / Daryl Brooks
Musical Direction-Midize / Jermaine Hill
Choreography / Christopher Chase Carter
Performer in a Principal Role-Musical / Liam Quealy
Costume Design-Midsize / Bill Morey
Black Theater Alliance Awards & Nominations
Direction / Daryl Brooks (award winner)
Musical Direction / Jermaine Hill (award winner)
Choreography / Christopher Chase Carter (award winner)
Featured Actor in a Musical / James Earl Jones II
Featured Actor in a Musical / Lorenzo Rush, Jr. (award winner)
Featured Actress in a Musical / Aeriel Williams (award winner)
PORCHLIGHT REVISITS
Woman Of The Year
November 14 – 16, 2017 at Ruth Page Center for the Arts
Book by Peter Stone
Music & Lyrics by John Kander and Fred Ebb
Direction by Michael Weber
Music Direction by David Fiorello
Choreography by Florence Walker-Harris
They’re Playing Our Song
March 6 – 8, 2018 at Ruth Page Center for the Arts
Lyrics by Carole Bayer Sager
Music by Marvin Hamlisch
Book by Neil Simon
Direction and Choreography by Christopher Chase Carter
Music Direction by Andra Velis Simon
Assistant Direction by Adrian Abel Azevedo
Do Re Mi
May 22 – 24, 2018 at Ruth Page Center for the Arts
Music by Jule Styne
Book by Garson Kanin
Lyrics by Betty Comden and Adolph Green
Direction and Choreography by Christopher Pazdernik
Music Direction by David Fiorello
Associate Choreography by Jenna Schoppe
NEW FACES SING BROADWAY
New Faces Sing Broadway 1939
October 23, 2017 at Skokie Theatre
October 24, 2017 at Uptown Underground
Direction by Keely Vasquez
Music Direction by David Fiorello
Hosted by Rob Lindley
New Faces Sing Broadway 1959
February 26, 2018 at Skokie Theatre
February 27, 2018 at Arts Club of Chicago
Direction by Adrian Abel Azevedo
Music Direction by David Fiorello
Hosted by Gene Weygandt
New Faces Sing Broadway 1975
June 5, 2018 at Skokie Theatre
June 6, 2018 at Arts Club of Chicago
Direction by Christopher Pazdernik
Music Direction by David Fiorello
Hosted by Donica Lynn
MAINSTAGE
In The Heights
September 9 – December 31, 2016 at Stage 773
Music and Lyrics by Lin-Manuel Miranda
Book by Quiara Alegría Hudes
Direction and Co-Choreography by Brenda Didier
Co-Choreography by Christopher Chase Carter
Music Direction by Diana Lawrence
“Porchlight Music Theatre’s production of “In the Heights” is such an overwhelming experience on every level — in the brilliance and endearing warmth of its cast, the passion behind its storytelling, the piercing truth and mastery of its direction, the thrill of its explosive dancing, the magic of its mix of voices, the detail of its design and the instant connection it forges with its audience — that it is difficult to know where to begin.” Highly recommended. -Hedy Weiss, Chicago Sun-Times
Jeff Award Nominations (Equity)
Best Production-Midsize Musical
Costume Design-Midsize / Kate Setzer Kamphausen
Scenic Design-Midsize / Greg Pinsoneault
Chicago Premiere
End of The Rainbow
November 4 – December 9, 2016 at Stage 773
Written by Peter Quilter
Direction by Michael Weber
Music Direction by Jon Steinhagen
“Garland is here performed by Angela Ingersoll. It is a simply magnificent portrayal, especially vocally, which is really what matters the most. It will, I think, be enough to make this show a huge hit as we go into the holiday season and, by rights, it should transform Ingersoll’s career in this town.” 3.5 out of 4 stars. -Chris Jones, Chicago Tribune
Jeff Awards & Nominations (Equity)
Best Production-Play
Actress in a Principal Role-Play / Angela Ingersoll (award winner)
Scenic Design-Midsize / Christopher Rhoton
Costume Design-Midsize / Bill Morey
Chicago Premiere
The Scottsboro Boys
February 3 – March 12, 2017 at Stage 773
Music & Lyrics by John Kander & Fred Ebb
Book by David Thompson
Direction by Samuel G. Roberson, Jr.
Choreography by Florence Walker-Harris
Associate Choreography by Breon Arzell
Music Direction by Doug Peck
“… it would not be an exaggeration to say that the entire cast of “The Scottsboro Boys” is brilliant, and together with the vivid direction of Samuel G. Roberson Jr., galvanic choreography by Florence Walker-Harris, fine music direction by Doug Peck, and splendid design (by Andrei Onegin, Richard Norwood and Samantha Jones), this show easily could hold its own alongside ‘Hamilton.’” Highly Recommended. -Hedy Weiss, Chicago Sun-Times
Jeff Awards & Nominations (Equity)
Best Production-Midsize Musical (award winner)
Ensemble
Black Theater Alliance Awards & Nominations
Ensemble (award winner)
Director of a Musical / Samuel G. Roberson ((award winner; posthumously)
Featured Actor in a Musical / James Earl Jones
Choreography / Breon Arzell and Florence Walker-Harris (award winners)
Costume Design / Samantha Jones (award winner)
Chicago Premiere
Marry Me a Little
April 14 – May 21, 2017 at Stage 773
Music & Lyrics by Stephen Sondheim
Conceived by Craig Lucas and Norman René
Direction by Jess McLeod
Music Direction by Austin Cook
“Cook has a splendid voice, can play (the) piano with an ebullient flare and he even looks like his man, in his younger years, of course…A big personality in her own right, and an actress who has developed a whole new complexity, Thomas more than holds her own in her little apartment…You won’t regret securing a place on the expedition.” 3.5 out of 4 stars. -Chris Jones, Chicago Tribune
Jeff Awards & Nominations (Equity)
Best Production-Revue
Music Direction / Austin Cook
Actor-Revue / Austin Cook (award winner)
Actress-Revue / Bethany Thomas
PORCHLIGHT REVISITS
The Rink
October 4 – 6, 2016 at Stage 773
Music by John Kander
Book by Terrence McNally
Lyrics by Fred Ebb
Direction and Choreography by Christopher Pazdernik
Music Direction by Ryan Brewster
Little Me
February 28 – March 2, 2017 at Stage 773
Music by Cy Coleman
Book by Neil Simon
Lyrics by Carolyn Leigh
Direction by Michael Weber
Music Direction by Linda Madonia
Choreography by Craig V. Miller
On A Clear Day You Can See Forever
May 9 – 11, 2017 at Stage 773
Book and Lyrics by Alan Jay Lerner
Music by Burton Lane
Direction by Lili-Anne Brown
Music Direction by Andra Velis Simon
NEW FACES SING BROADWAY
New Faces Sing Broadway 1985
November 28, 2016 at Skokie Theatre
November 29, 2016 at Uptown Underground
Direction by Christopher Pazdernik
Music Direction by David Fiorello
Hosted by Mark David Kaplan
New Faces Sing Broadway 2001
January 23, 2017 at Skokie Theatre
January 24, 2017 at Uptown Underground
Direction by Adrian Abel Azevedo and Michael Weber
Music Direction by David Fiorello
Hosted by Keely Vasquez
New Faces Sing Broadway 1969
March 14, 2017 at Skokie Theatre
March 15, 2017 at Uptown Underground
Direction by Adrian Abel Azevedo and Michael Weber
Music Direction by David Fiorello
Hosted by E. Faye Butler
MAINSTAGE
Chicago Premiere
Side Show
September 11 – October 18, 2015 at Stage 773
Book and Lyrics by Bill Russell
Music by Harry Krieger
Direction by Michael Weber
Music Direction by Aaron Benham
Choreography by Andrew Waters
“Michael Weber’s new Chicago production for the Porchlight Music Theatre is more successful than the show I saw on Broadway.” 3 out of 4 stars. -Chris Jones, Chicago Tribune
Jeff Award Nominations (Equity)
Best Production-Musical
Costume Design / Bill Morey
Actor in a Supporting Role-Musical / Evan Tyrone Martin
Ain’t Misbehavin’
November 14 – December 20, 2015
Music by Thomas ‘Fats’ Waller
Book by Murray Horwitz and Richard Matlby, Jr
Direction and Choreography by Brenda Didier
Music Direction by Austin Cook
“…Thanks to a group of actors willing to sell it, flaunt it, shake it, jiggle it or whatever is required to offer up a good time, those moments are deliciously entertaining here.” -Chris Jones, Chicago Tribune
Chicago Premiere
Far From Heaven
February 5 – March 13, 2016 at Stage 773
Book by Richard Greenberg
Music by Scott Frankel
Lyrics by Michael Korie
Direction by Rob Lindley
Music Direction by Chuck Larkin
Choreography by William Carlos Angulo
“The story is retold in a sparkling, uncompromisingly fresh way. Director Rob Lindley’s cast is naked and honest in their joy, confusion, discovery and pain.” -NewCity
Jeff Award Nominations (Equity)
Costume Design / Bill Morey
Actor in a Supporting Role-Musical / Evan Tyrone Martin
Dreamgirls
April 8 – May 15, 2016 at Stage 773
Music by Harry Krieger
Book and Lyrics by Tom Eyen
Direction and Choreography by Brenda Didier
Music Direction by Doug Peck
“The combination of rocket-force voices, eye-popping acrobatic dance moves, full-force storytelling and feverish emotional chemistry — from first beat to last — is thrilling. And at Tuesday’s opening it all generated a sustained (and richly deserved) standing ovation the likes of which I haven’t seen in a Chicago theater in a very long time.” -Hedy Weiss, Chicago Sun-Times
Jeff Awards & Nominations (Equity)
Best Production-Musical (award winner)
Direction-Musical / Brenda Didier
Costume Design / Bill Morey (award winner)
Actor in a Supporting Role / Evan Tyrone Martin
Actress in a Principal Role-Musical / Donica Lynn (award winner)
Actor in a Supporting Role-Musical / Eric Lewis (award winner)
Black Theatre Alliance Awards & Nominations
Actress in a Musical / Donica Lynn (award winner)
Actor in a Musical / Eric Lewis
Actor in a Musical / Evan Tyrone Martin
Actress in a Musical / Candace C. Edwards
PORCHLIGHT REVISITS
Babes in Arms
October 6-8 at Stage 773
Music by Richard Rodgers
Lyrics by Lorenz Hart
Book by Richard Rodgers and Lorenz Hart
Direction by Jess McLeod
Music Direction by Alex Newkirk
Musical Staging by James Beaudry
Applause
March 1-3 at Stage 773
Music by Charles Strouse
Book by Betty Comden and Adolph Green
Lyrics by Lee Adams
Direction and Choreography by Christopher Pazdernik
Music Direction by Nick Sula
Chess
May 3-5 at Stage 773
Music by Benny Andersson and Björn Ulvaeus
Book by Tim Rice
Lyrics by Tim Rice and Björn Ulvaeus
Direction by Michael Weber
Music Direction by Jimmy Morehead
Choreography by Brenda Didier
NEW FACES SING BROADWAY
(Debut Season)
New Faces Sing Broadway 1991
November 3, 2015 at Uptown Underground
Direction by Christopher Pazdernik
Music Direction by Korey Danielson
Hosted by Meghan Murphy
New Faces Sing Broadway 1972
March 22, 2016 at Uptown Underground
Direction by Christopher Pazdernik and Michael Weber
Music Direction by Nick Sula
Hosted by Heidi Kettenring
New Faces Sing Broadway 1949
March 22, 2016 at Uptown Underground
Direction by Christopher Chase Carter and Michael Weber
Music Direction by Nick Sula
Hosted by James Earl Jones II
MAINSTAGE
Sweeney Todd: The Demon Barber of Fleet Street
October 3 – November 9, 2014 at Stage 773
Music and Lyrics by Stephen Sondheim
Book by Hugh Wheeler
Direction by Michael Weber
Music Direction by Doug Peck
Choreography by Dina DiCostanzo
“Sondheim probably cannot even imagine just how beautifully and insightfully this company deals with his work…A tale you will most certainly want to “attend.” Highly recommended. -Hedy Weiss, Chicago Sun-Times
Jeff Award Nominations (Equity)
Best Production-Musical
Costume Design / Bill Morey
Actress in a Supporting Role-Musical / Rebecca Finnegan
Chicago Premiere
Sondheim on Sondheim
February 6 – March 15, 2015 at Stage 773
Music and Lyrics by Stephen Sondheim
Conceived by James Lapine
Direction by Nick Bowling
Music Direction by Austin Cook
Choreography by Emily Rogers
“The best show in the history of Porchlight…It blew me away…I loved the show.” Four out of four stars. -Chris Jones, Chicago Tribune
Jeff Awards & Nominations (Equity)
Best Production-Revue (award winner)
Direction / Nick Bowling (award winner)
Music Direction / Austin Cook (award winner)
Projection/Video Design / Mike Tutaj
Actor or Actress in a Revue / James Earl Jones II
A Funny Thing Happened on the Way to the Forum
April 17 – May 24, 2015 at Stage 773
Music and Lyrics by Stephen Sondheim
Book by Burt Shevelove and Larry Gelbart
Direction by Michael Weber
Music Direction by Linda Madonia
Choreography by Brenda Didier
“Bill Larkin (who still lingers in memory for his Jeff Award-winning performance in “A Class Act”), is an ideal Pseudolus…And he gets plenty of competition from his fellow slave, Hysterium (Matt Crowle, whose “winsome” drag sequence is perfection)…the show’s casting is perfection from start to finish.” Highly recommended. –Hedy Weiss, Chicago Sun-Times
Jeff Awards & Nominations (Equity)
Best Production-Musical
Actor in a Supporting Role-Musical / Matthew Crowle (award winner)
Actor in a principal Role-Musical / Bill Larkin
PORCHLIGHT REVISITS
Bells Are Ringing
October 28-29 at Stage 773
Music by Jule Styne
Book & Lyrics by Betty Comden and Adolph Green
Co-Direction by Michael Weber and Dina DiCostanzo
Music Direction by Linda Madonia
City of Angels
March 3-4 at Stage 773
Lyrics by David Zippel
Book by Larry Gelbart
Music by Cy Coleman
Direction by Christopher Pazdernik
Music Direction by Aaron Benham
Mack and Mabel
May 12-13 at Stage 773
Music & Lyrics by Jerry Herman
Book by Michael Stewart
Direction by Michael Weber
Music Direction by Beckie Menzie
Musical Staging by Tammy Mader
MAINSTAGE
Chicago Premiere
Double Trouble
August 31 – October 6, 2013 at Stage 773
Book, Music and Lyrics by Bob Walton and Jim Walton
Direction and Choreography by Matthew Crowle
Music Direction by Linda Madonia
“The action is paced leisurely enough for us to enjoy the Walton brothers’ screwball plot, involving-whattaya know?-a pair of likewise songwriting brothers seeking their fortunes in Hollywood, portrayed by – you guessed it! – actual singing-dancing brothers Adrian and Alexander Aguilar.” -Windy City Times
Jeff Award Nominations (Equity)
Costume Design / Alexia Rutherford
Ain’t Misbehavin’
February 1- March 9, 2014 at Stage 773
Music by Thomas ‘Fats’ Waller
Book by Murray Horwitz and Richard Matlby, Jr
Direction and Choreography by Brenda Didier
Music Direction by Jaret Landon
“There is something about this production that captures the exuberant, unstinting spirit of Waller and his era better than any other “Ain’t Misbehavin’” I’ve seen…A tad wild, wholly unpredictable, fully immersed, constantly in motion…the stakes fly high. Deliciously entertaining.” -Chris Jones, Chicago Tribune
Jeff Awards & Nominations (Equity)
Best Production-Revue (award winner)
Direction / Brenda Didier (award winner)
Artistic Specialization / Austin Cook (award winner)
Ensemble
Actor in a Revue / Donterrio Johnson
Actor in a Revue / Lorenzo Rush Jr.
Actress in a Revue / Sharriese Hamilton
Black Theater Alliance Award Nominations
Best Ensemble
Best Musical Direction / Jaret Landon
Actor in a Revue / Donterrio Johnson
Actor in a Revue / Lorenzo Rush, Jr.
Actress in Revue / Robin K. DaSilva
Actress in Revue / Sharriese Hamilton
Actress in Revue / Lina Wass
How To Succeed In Business Without Really Trying
April 13 – June 1, 2014 at Stage 773
Music and Lyrics by Frank Loesser
Book by Abe Burrows, Jack Weinstock and Willie Gilbert
Direction by Rob Lindley
Music Direction by Kory Danielson
Choreography by Brenda Didier
“…Porchlight Music Theatre’s rip-roaring revival of the show is great, goofy fun, with direction by Rob Lindley that is a fully committed blend of cartoonish campiness and heart.” -Hedy Weiss, Chicago Sun-Times
Jeff Awards & Nominations (Equity)
Best Production-Musical
Choreography / Brenda Didier
Costume Design / Bill Morey (award winner)
Actor in a Supporting Role-Musical / John Keating
PORCHLIGHT REVISITS
(Debut Season)
Fade Out-Fade In
May 24th at Stage 773
Music by Jule Styne
Book and Lyrics by Betty Comden and Adolph Green
Direction by Michael Weber
Music Direction by Jon Steinhagen
Choreography by Dina DiCostanzo
Golden Boy
February 26th at Stage 773
Lyrics by Lee Adams
Music by Charles Strouse
Book by Clifford Odets and William Gibson
Direction by Chuck Smith
Music Direction by Austin Cook
Choreography by Dina DiCostanzo
Anyone Can Whistle
September 25th at Stage 773
Book by Arthur Laurents
Music and Lyrics by Stephen Sondheim
Direction by Christopher Pazdernik
Chicago Premiere
A Class Act
September 1 – October 7, 2012 at Theatre Wit
Music and Lyrics by Edward Kleban
Book by Linda Kline
Direction and Choreography by Stacey Flaster
Music Direction by Beckie Menzie
“…The Porchlight production is the work of many such collaborating talents, but it is Bill Larkin, the actor who plays Kleban, who makes the whole thing explode with life. Larkin gives an unforgettable performance.” -Hedy Weiss, Chicago Sun-Times
Jeff Awards & Nominations (Equity)
Best Production-Musical (award winner)
Actor in a Principal Role-Musical / Bill Larkin (award winner)
Supporting Actress-Musical / Dana Tretta
Chicago Premiere
The Gifts of the Magi
November 17 – December 23, 2012 at Stage 773
Music by Mark St. Germain
Lyrics by Randy Courts
Direction by Marc Lococco
Music Direction by Elizabeth Doran
Choreography by Brenda Didier
“…the show, directed by Mark E. Lococo and choreographed by Brenda Didier, has a lovely, character-defining score that is being beautifully sung here. Elizabeth Doran’s musical direction is impeccable, as is her lush piano accompaniment, with Christina Foster and Brent Roman on percussion.” -Hedy Weiss, Chicago Sun-Times
Lady Day at Emerson’s Bar & Grill
February 2 – March 10, 2013 at Stage 773
By Lanie Robertson
Direction by Rob Lindley
Music Direction by Jaret Landon
“…It takes barely a bar or two before the spell has been cast. The unique timbre, intonation, phrasing, color and, most crucially, the abiding anguish that marked Holiday’s singing are all there. Yet Rogers is no mimic. Rather, she has somehow managed to crawl right into Holiday’s psyche and reactivate the voice in a way that should dazzle even the most fervent devotees.” -Hedy Weiss, Chicago Sun-Times
Jeff Awards & Nominations (Equity)
Best Production-Musical
Music Direction / Jaret Landon
Solo Performance / Alexis J. Rogers (award winner)
Black Theater Alliance Awards & Nominations
Music Direction / Jaret Landon
Actress in a Revue / Alexis J. Rogers (award winner)
Pal Joey
April 20 – May 26, 2013 at Stage 773
Music by Richard Rodgers
Lyrics by Lorenz Hart
Book by John O’Hara
Direction by Michael Weber
Music Direction by Doug Peck
Choreography by Brenda Didier
“…Vera Simpson falls in love with the titular Joey Evans, a handsome if somewhat callow singer-dancer-lover, here played by the young, vocally adroit and nicely eroticized Adrian Aguilar…And McMonagle offers up a take at once blousy, bluesy and blistering.” -Chris Jones, Chicago Tribune
Jeff Awards & Nominations (Equity)
Best Production-Musical
Direction / Michael Weber
Choreography / Brenda Didier
Costume Design / Bill Morey
Actress in a Principal Role-Musical / Susie McMonagle
Cameo Performance / Callie Johnson (award winner)
Putting it Together
September 2 – October 16, 2011 at Theatre Wit
Music and Lyrics by Stephen Sondheim
Direction and Musical Staging by Brenda Didier
Music Direction by Austin Cook
“…Putting It Together, the searing Stephen Sondheim revue, is the first show shot out of the post-Labor Day cannon, and it is a total triumph. With its sophisticated, emotionally charged content, its display of superb all-around musicianship, its ideal cast, its exceptional conceptual clarity, and its elegant design, this production instantly sets the bar for the 2011-2012 theater season at a high level.” –Hedy Weiss, Chicago Sun-Times
Jeff Award Nominations (Equity)
Best Production-Revue
Director-Revue / Brenda Didier
Music Direction / Austin Cook
Actor or Actress in a Revue / Adam Pelty
Actor or Actress in a Revue / McKinley Carter
Chicago Premiere
A Catered Affair
February 17- April 1, 2012 at Stage 773
Music and Lyrics by John Bucchino
Book by Harvey Fierstein
Direction by Nick Bowling
Music Direction by Doug Peck
“…Delicate instrumental textures emphasize the emotional fragility of people who conceal their feelings beneath tough exteriors. Audiences seeking an unusual, well-crafted musical drama performed by actors who disappear into their roles rather than dominate them will find much to appreciate here.” –Chicago Reader
Jeff Award Nominations (Equity)
Best Production-Musical
Actress in a Principal Role-Musical / Rebecca Finnegan
tick, tick…BOOM!
April 27 – June 10, 2012 at Stage 773
Music and Lyrics by Jonathan Larson
Book by Jonathan Larson and David Auburn
Direction by Adam Pelty
Music Direction by Diana Lawrence
“…Originally performed by Larson as a solo work, it was revised after his death by playwright David Auburn as a 90-minute work for three actors. It is now receiving an altogether bravura revival by Chicago’s Porchlight Music Theatre, with turbo-charged direction and choreography by Adam Pelty (an accomplished Chicago-bred performer with Broadway credits), terrific pit band-meets-rock band musical direction by Diana Lawrence, and a stellar cast.” –Hedy Weiss, Chicago Sun-Times
Jeff Award Nominations (Equity)
Actor in a Principal Role-Musical / Adrian Aguilar
Sunday in the Park with George
September 10 – October 31, 2010 at Stage 773
Music and Lyrics by Stephen Sondheim
Book by James Lapine
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“The cast bring forthright simplicity to their portrayals and strong voices to Sondheim’s swirling, complex score.” -Albert Williams, Chicago Reader
Jeff Award Nominations (Equity)
Costume Design / Mina Hyun-Ok Hong
Miracle on 34th Street
November 19 – January 2 at Stage 773
Adapted by Patricia DiBenedetto Snyder, Will Severin and John Vreeke
Story by Valentine Davies
Screenplay by George Seaton
Direction by Christopher Pazdernik
Music Direction by Eugene Dizon
“Porchlight Music Theatre has created a big show with a big cast and lots of good cheer. I defy anyone outside of the biggest Scrooges not to leave the theater feeling the holiday spirit.” -Carole Kuhrt Brewer, Show Me Chicago
Chicago/Midwest Premiere
Meet John Doe
March 4 – April 17 at Stage 773
Based on the film by Frank Capra
Music, Co-Writing and Orchestrations by Andrew Gerle
Co-Writing and Lyrics by Eddie Sugarman
Direction and Choreography by James Beaudry
Music Direction by Eugene Dizon
“The score is crafty, affecting, and the best thing about this 2006 musical based on Frank Capra’s 1941 film…They’re cleverly, sometimes unconventionally structured, yet instantly familiar. And, combined with Eddie Sugarman’s taut, dramatically astute lyrics, they help advance the story as effectively as anything ever written for the American musical stage.” -Justin Hayford, Chicago Reader
Jeff Award Nominations (Equity)
Actress in a Principal Role-Musical / Elizabeth Lanza
The King and I
April 22 – June 5 at Stage 773
Music by Richard Rodgers
Lyrics and Book by Oscar Hammerstein II
Based on “Anna and the King” by Margaret Landon
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“L. Walter Stearns’ farewell production for Porchlight Music Theatre as artistic director is a wonderful and innovative production of the Tony winning 1951 musical.” -Tom Williams, Chicago Critic
Jeff Awards & Nominations (Equity)
Best Production-Musical
Costume Design / Bill Morey (award winner)
Actress in a Principal Role-Musical / Brianna Borger
Actress in a Supporting Role-Musical / Kate Garassino
The Fantasticks
September 11 – November 15, 2009 at Theatre Building Chicago
Book and Lyrics by Tom Jones
Music by Harvey Schmidt
Based on “Les Romanesques” by Edmond Rostand
Direction by Sean Kelly
Music Direction by Eugene Dizon
Choreography by Andrew Waters
“In Porchlight Music Theatre’s superb rendition, director Sean Kelly and choreographer Andrew Waters (emphasize) the show’s quirky humor, wry wisdom, and melancholy undertones. The fine cast includes Sean Effinger-Dean and Emma Rosenthal as the foolish lovers and Ryan Lanning and Dan Ferretti as their fathers, who feign a feud in order to bring the couple together. As the enigmatic narrator called El Gallo, Jeff Parker deftly balances shy compassion and detached candor, and William Raffeld and Rus Rainear are hilarious as a team of traveling Shakespearean hams. Under Eugene Dizon’s musical direction, the beautifully crafted light-jazz score is by turns delicate and driving. -Albert Williams, Chicago Reader
Macabaret
October 22 – November 1, 2009 at Theatre Building Chicago
Music by Rob Hartmann
Lyrics by Scott Keys
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“…Rob Hartmann and Scott Keys have written a selection of mostly humorous, always clever spooky show tunes. The three or four more serious numbers truly are haunting. This is songwriting at its tightest and most clever.” Highly Recommended. -J. Scott Hill, Chicago Stage Review
Miracle on 34th Street
November 20, 2009 – January 3, 2010 at Theatre Building Chicago
Adapted by Patricia DiBenedetto Snyder, Will Severin and John Vreeke
Story by Valentine Davies
Screenplay by George Seaton
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“The way that director L. Walter Stearns has staged this new production means that the audience remains actively involved from beginning to end. We are the parade audience, and we are excited when Santa comes out to us. Some of the kids that sit on Santa’s lap and chat with him are children from the audience mixed in with actors, and it’s a tribute to both that there is so little difference. But perhaps the best touch of all is the way that Santa, out of costume, disappears after his court “miracle”—it’s Christmas Eve, after all—and is not seen at all in subsequent scenes, a great touch. This gives his curtain call in full costume greater impact and the show spills over into real life by having Santa take his throne and audience members leave greeting him, many—including adults—actually sitting on his lap and chatting away or having a picture taken.” -Dennis Polkow, NewCity
Into the Woods
April 9 – May 30, 2010 at Theatre Building Chicago
Book by James Lapine
Music & Lyrics by Stephen Sondheim
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
Porchlight has a long history with “Woods,” having staged it in 2001 and its success being a key factor in its decision to switch to an Equity theater after having already made the switch to concentrating on musicals…The stage has been effectively transformed to a woods-like ambience complete with carefully lit trees that really are reminiscent of a dense forest complete with a large moon center stage that alternates as a lunar backdrop and also for cleverly projected effects…Down to the smallest role, the cast is magnificent; each authentically inhabits this fantastic world and is not afraid to show us what they are thinking and feeling while allowing us—not them—to find their observations funny.” -Dennis Polkow, NewCity
Jeff Award Nominations (Equity)
Costume Design / William J. Morey
Candide
September 13 – November 2, 2008 at Theatre Building Chicago
Book by Hugh Wheeler
Lyrics by John Latouche, Richard Wilbur and Stephen Sondheim
Music by Leonard Bernstein
Based on the book by Voltaire
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“…Kristen Freilich (hilarious as the “easily assimilated” Old Lady), Sarah Hayes (as Paquette, the naughty maid) and Jeremy Rill (as Cunegonde’s narcissistic brother) are standouts. But the entire ensemble is superb, and when their voices join in Bernstein’s glorious, eclectic, supremely challenging score, they give you hope.” Highly Recommended. -Hedy Weiss, Chicago Sun-Times
Jeff Award Nominations (Equity)
Music Direction / Eugene Dizon
Costume Design / Bill Morey
Pacific Overtures
March 14 – May 3, 2009 at Theatre Building Chicago
Book by John Weidman
Music and Lyrics by Stephen Sondheim
Additional Material by Hugh Wheeler
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“…this director does approach this piece with copious amounts of heart and enthusiasm (not to mention the services of a lively and chirpy five-piece orchestra under the very capable Eugene Dizon). The result is a show that injects some arresting passion into a typically cool piece, often in places those who’ve seen this piece a few times don’t expect. Chicago’s many Sondheim fans should roll along, in a gentle mood.” -Chris Jones, Chicago Tribune
Once On This Island
May 9 – June 28, 2009 at Theatre Building Chicago
Book and Lyrics by Lynn Ahrens
Music by Stephen Flaherty
Based on “My Love, My Love” by Rosa Guy
Direction by Mark Lococo
Music Direction by Eugene Dizon
“Kudos to Porchlight Music Theatre for re-imagining Aherns & Flaherty’s chamber reggae/calypso operetta moving it from an island to an immigrant community in a major US city…Bethany Thomas, Jayson Brooks, Luis herrera and Austin Moore led the outstanding ensemble with their rich harmonies and spirited dancing. Once On This Island is a gem of a musical–so charming and so lovely to watch and listen to. You’ll be captivated by this wonderful musical love story.” -Tom Williams, Chicago Critic
Jeff Award Nominations (Equity)
Best Production-Musical
Choreography / Brenda Didier
Black Theater Alliance Awards & Nominations
Best Leading Actress In A Play-Musical or Revue / Melanie Brezill (award winner)
Best Featured Actor-Musical / Sean Walton
Phantom
September 14 – November 11 at Theatre Building Chicago
Music and Lyrics by Maury Yeston
Book by Arthur Kopit
Based on the novel “The Phantom of the Opera” by Gaston Leroux
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“The Porchlight production is the latest collaboration between director L. Walter Stearns and his impeccable musical director, Eugene Dizon (who has overseen a truly glorious blend of voices, with Michael Frain leading the backstage musicians). And it arrives immediately after their hugely impressive work on ‘Ragtime’… it puts some impressive talents in the spotlight — performers with both semi-operatic voices and acting chops. –Hedy Weiss, Chicago Sun-Times
A Wonderful Life
November 17 – December 30 at Theatre Building Chicago
Book and Lyrics by Sheldon Harnick
Music by Joe Raposo
Adapted from the Frank Capra film
Direction by Rob Lindley
Choreography by Laura Scheinbaum
Music Direction by Benjamin Bentler
“…Porchlight Music Theatre, is now offering ( for the second year), a musical version of the Frank Capra classic movie “A Wonderful Life” for the holidays. This version is a little better than last year in the the ensemble is much stronger and several of the character roles are standouts.” -Al Bresloff, Epoch Times
Nine
April 4 – May 18, 2008 at Theatre Building Chicago
Book by Arthur Kopit
Music and Lyrics by Maury Yeston
Adaptation from the Italian by Mario Fratti
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“…The production, directed by L. Walter Stearns, with expert music direction by Eugene Dizon, lavish choreography by Brenda Didier and inspired design work, is among the company’s most sophisticated efforts.” -Hedy Weiss, Chicago Sun-Times
Jeff Awards & Nominations (Equity)
Best Production-Musical
Ensemble
Music Direction / Eugene Dizon
Costume Design / Bill Morey (award winner)
Actor in a Principal Role-Musical / Jeff Parker
After Dark Award for Outstanding Season
A Wonderful Life
November 11 – December 31, 2006 at Theatre Building Chicago
Book and Lyrics by Sheldon Harnick
Music by Joe Raposo
Adapted from the Frank Capra film
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“…Just when you think you know everything there is to know about a modern classic, you take your seat for a production like “A Wonderful Life” — Sheldon Harnick and Joe Raposo’s musical version of the 1946 Frank Capra film “It’s a Wonderful Life” — and begin to see and hear a whole lot more. Porchlight Music Theatre’s charming, insightful take on the show, now at the Theatre Building, is a perfect example of this.” -Hedy Weiss, Chicago Sun-Times
Assassins
January 20 – March 18, 2007 at Theatre Building Chicago
Music and Lyrics by Stephen Sondheim
Book by John Weidman
Direction by Michael Weber
Music Direction by Doug Peck
Choreography by Tammy Mader
“…Taking into consideration the stellar cast, great singing and a high production value, the biggest star of Porchlight Theatre’s “Assassins” is the director, Michael Weber. His first gig with Porchlight, Weber’s staging is highly innovative, always searching (and finding) a new perspective on the material; placing his actors on the stage in picturesque manner (with the help of choreographer Tammy Mader); finding the obscure humor; dramatically squeezing out every drop of compassion or pathos in the characters.” -Scotty Zacher, Gay Chicago Magazine
Jeff Awards & Nominations (Equity)
Best Production-Musical
Direction-Musical / Michael Weber
Actress in a Supporting Role-Musical / Sara R. Sevigny (award winner)
World Premiere
The Teapot Scandals
January 27 – March 18, 2007 at Theatre Building Chicago
Book, Music and Lyrics by Jon Steinhagen
Direction by Steve Scott
Music Direction by Nick Sula
“…Steinhagen’s musical pastiches are full of verve — whether in the form of a barbershop quartet, a softshoe, a blues riff, a ballad or a novelty number. And the ideally cast actors (all dressed up in Roaring ’20s finery by Carol J. Blanchard) have a great time with the material.” -Hedy Weiss, Chicago Sun-Times
Jeff Award Nominations (Equity)
New Work-Musical / Jon Steinhagen
After Dark Awards
Outstanding Music and Lyrics / Jon Steinhagen
Ragtime
March 31 – June 8, 2007 at Theatre Building Chicago
June 9 – August 26, 2007 transfer to the Chicago’s Apollo Theater
Lyrics by Lynn Aherns
Music by Stephen Flaherty
Book by Terrence McNally
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“After the most successful, sold-out run in Theatre Building Chicago’s history, Porchlight Music Theatre’s epic production of the mega-hit musical “Ragtime” has effortlessly moved over to the larger Apollo Theatre for an open run…Chicagoan Frank Galati’s staging was so tied to the original show that few have been able to make ‘Ragtime’ work without it, though happily, Porchlight Music Theatre’s artistic director L. Walter Stearns succeeds where so many others have failed by having enough faith in the work itself to let it speak for itself and dictate what happens on stage. This is the largest production that Porchlight has mounted and all of the stops have been pulled out, from first-class leads who can deliver the goods on the show’s eleven o’clock numbers down to singing and dancing children.” -Dennis Polkow, NewCity
Jeff Awards & Nominations (Equity)
Best Production-Musical
Direction-Musical / L. Walter Stearns (award winner)
Music Direction / Eugene Dizon (award winner)
Choreography / Brenda Didier
Actor in a Supporting Role-Musical / Aaron Graham (award winner)
Actor in a Principal Role-Musical / Jayson Brooks
Actress in a Principal Role-Musical / Charissa Armon
Black Theater Alliance Award Nominations
Best Leading Actor-Musical / Jayson Brooks
Best Featured Actress-Musical / Karla Brooks
After Dark Awards
Outstanding Ensemble
Outstanding Director – L. Walter Stearns
Outstanding Choreography – Brenda Didier
Outstanding Musical Direction – Eugene Dizon
Outstanding Sound Design – Kevin Carney
Outstanding Performance – Charissa Armon
Gypsy
September 9 – November 6, 2005 at Theatre Building Chicago
Music by Jule Styne
Lyrics by Stephen Sondheim
Book by Arthur Laurents
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“A dynamic little show, chock-full of invention and imagination and guts…Porchlight is getting bigger as well as better with every passing year.” -Chris Jones, Chicago Tribune
Jeff Award Nominations (Equity)
Actress in a Principal Role-Musical / Rebecca Finnegan
After Dark Awards
Outstanding Choreography / Kevin Bellie
Outstanding Costumes / Bill Morey
Outstanding Performance / Rebecca Finnegan
Macabaret
September 10 – October 30, 2005 at Theatre Building Chicago
Book, Music & Lyrics by Rob Hartmann and Scott Keys
Direction by Matthew Gunnels
Music Direction by Steve Sivak
Choreography by Brenda Didier
“It’s a very savvy blend, full of catchy melodies and comic invention.” -Chris Jones, Chicago Tribune
After Dark Awards
Outstanding Musical Direction / Steve Sivak
The Secret Garden
April 1 – May 28, 2006 at Theatre Building Chicago
June 14 – 18, 2006 revival at Theatre on the Lake
Book & Lyrics by Marsha Norman
Music by Lucy Simon
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“…this Porchlight Music Theatre revival is exceptionally strong. It’s not only marked by several honest and moving performances but uncommonly well sung. And with ticket prices topping out at half of what you pay downtown, it is an excellent Easter choice for family entertainment. Especially for tween girls.” Highly Recommended. -Chris Jones, Chicago Tribune
Jeff Award Nominations (Equity)
Actor in a Principal Role-Musical / Michael Aaron Lindner
Actress in a Supporting Role-Musical / Angela Ingersoll
After Dark Awards
Outstanding Production
Sweeney Todd: The Demon Barber of Fleet Street
September 18 – November 7, 2004 at Theatre Building Chicago
Music & Lyrics by Stephen Sondheim
Book by Hugh Wheeler
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“Porchlight deserves national attention.” -Chris Jones, Variety Magazine
Jeff Awards & Nominations (Equity)
Best Production-Musical
Director-Musical / L. Walter Stearns
Actor in a Principal Role-Musical / Aaron Lindner (award winner)
Actress in a Principal Role-Musical / Rebecca Finnegan (award winner)
Actor in a Supporting Role-Musical / Peter Pohlhammer (award winner)
Music Direction / Eugene Dizon (award winner)
After Dark Awards
Outstanding Musical Direction / Eugene Dizon
Outstanding Wig and Makeup Design – Betsy McKnight
Outstanding Performance – Rebecca Finnegan
Closer Than Ever
January 22 – March 13, 2005 at Theatre Building Chicago
Music by David Shire
Lyrics by Richard Maltby Jr.
Direction by Nick Bowling
Music Direction by Eugene Dizon
“Porchlight Music Theatre’s current production (is) an overwhelming triumph…Throughout, the cast, collectively and individually shine, with moments of such beauty and power that are, at times, nearly overwhelming…’Closer Than Ever’ is, quite simply, a miraculous marvel.” 4 out of 4 stars. -Jeff Rossen, Gay Chicago Magazine
Jeff Awards & Nominations (Equity)
Direction-Musical / Nick Bowling
Music Direction / Eugene Dizon
Ensemble
Actress in a Revue / Rebecca Finnegan (award winner)
After Dark Awards
Outstanding Ensemble
Outstanding Direction / Nick Bowling
FINN FEST: The Nation’s First-Ever Festival Dedicated to the Work of William Finn
In Trousers
Book, Music & Lyrics by William Finn
Direction by Matthew Gunnels
Music Direction by Jon Steinhagen
Falsettos
Music and Lyrics by William Finn
Book by William Finn and James Lapine
Direction by Steve Scott
Music Direction by Eugene Dizon
A New Brain
Music and Lyrics by William Finn
Book by William Finn and James Lapine
Direction by L. Walter Stearns
Music Direction by Jim Collins
Chicago Premiere
Elegies: A Song Cycle
March 19 – May 22 at Theatre Building Chicago
Music and Lyrics by William Finn
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“The timing of this honor couldn’t be more perfect to attract visitors to Porchlight, whose first two productions in the festival are highly worthy of the responsibility to the writer such a series carries.” -John Olson, TalkinBroadway.com
Cabaret
October 11 – December 7, 2003 at Theatre Building Chicago
Music and Lyrics by John Kander and Fred Ebb
Book by Joe Masteroff
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“Porchlight is a hugely ambitious operation.” -Hedy Weiss, Chicago Sun-Times
Amadeus
March 13 – May 9, 2004 at Theatre Building Chicago
By Peter Shaffer
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“Beautifully designed…fine live musicians…elegant, classy staging…impressively sized, full-throated chorus.” -Chris Jones, Chicago Tribune
Jeff Awards & Nominations (Non-Equity)
Music Direction / Eugene Dizon (award winner)
Costume Design / Carol J. Blanchard (award winner)
Actor in a Principal Role-Play / Brendan DeMay
Promises, Promises
August 2002 preview at Theatre on the Lake
September 6 – November 3, 2002 at The Theatre Building
November 7-December 8, 2002 at Metropolis Centre for the Performing Arts (Arlington Heights)
Music by Burt Bacharach
Lyrics by Hal David
Book by Neil Simon
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“A lot of the credit for this lovely production goes to director L. Walter Stearns for his well-paced staging…A delightful and warm-hearted musical, this revival succeeds in keeping its entertaining promise.” -Betty Mohr, Daily Southtown
After Dark Awards
Outstanding Performance / Mark E. Smith
Company
Mar 7 – May 4, 2003 at Theatre Building Chicago
June 2003 remount at Theatre on the Lake
Music and Lyrics by Stephen Sondheim
Book by George Furth
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“Actors in the Porchlight production do a mightily impressive job of limning this pleasure-pain balance (of marriage) in both their scenes and their songs. A top-notch band gives them strong musical support.” -Hedy Weiss, Chicago Sun-Times
Jeff Awards & Nominations (Non-Equity)
Best Production-Musical
Direction-Musical / L. Walter Stearns
Music Direction / Eugene Dizon (award winner)
Choreography / Katrina Williams Brunner (award winner)
Actor in a Principal Role-Musical or Revue / Charlie Clark (award winner)
Actress in a Supporting Role-Musical or Revue / Rebecca Finnegan (award winner)
A Little Night Music
October 21 – December 16, 2001 at Theatre Building Chicago
Music and Lyrics by Stephen Sondheim
Book by Hugh Wheeler
Direction by L. Walter Stearns
Musical Direction by Eugene Dizon
“A solid evening of musical theatre…Porchilght clearly now has made the transition to a midsize professional company capable of producing complex works of musical theatre in an intimate and competent fashion.” -Chris Jones, Chicago Tribune
Jeff Award Nominations (Non-Equity)
Music Direction / Eugene Dizon
Chicago Premiere
Children of Eden
March 24 – May 12, 2002 at Theatre Building Chicago
Music and Lyrics by Stephen Schwartz
Book by John Caird
Direction by Wm. Eric Bramlett
Music Direction by Eugene Dizon
“Among fans of musicals in this city, Porchlight has a growing reputation for doing very solid, imaginative, and well-sung…musical fare.” -Chris Jones, Chicago Tribune
Chicago Premiere
A New Brain
May 26 – June 30, 2002 at The Storefront Theatre
Music and Lyrics by William Finn
Book by William Finn and James Lapine
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“This is a highly polished, exuberantly staged and terrifically performed production, at once joyful, funny and moving.” -Hedy Weiss, Chicago Sun-Times
Jeff Awards & Nominations (Non-Equity)
Best Production-Musical
Direction -Musical / L. Walter Stearns
Actor in a Supporting Role-Musical / Todd Yearton
Actress in a Supporting Role-Musical / Megan Van De Hey
Actress in a Supporting Role-Musical or Revue / Suzanne Genz (award winner)
Choreography / Kevin Bellie
After Dark Awards
Outstanding Musical Direction / Eugene Dizon
Outstanding Costumes / Bill Morey
Outstanding Performance / Suzanne Genz
Into the Woods
November 25, 2000 – January 13, 2001 at The Athenaeum Theatre
August 2001 revival at Theatre on the Lake
Music & Lyrics by Stephen Sondheim
Book by James Lapine
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“An intelligent, tuneful and passionate version of a moving musical.” –Chicago Tribune
Jeff Awards & Nominations (Non-Equity)
Best Production-Musical
Direction-Musical / L. Walter Stearns
Music Direction / Eugene Dizon (award winner)
Ensemble
After Dark Awards
Outstanding Performance / Charlie Clark
Passion
March 9 – May 6, 2001 at The Athenaeum Theatre
Music & Lyrics by Stephen Sondheim
Book by James Lapine
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“Porchlight Theatre, the little non-Equity company that could, is unafraid to tackle Sondheim. Porchlight continues its stretch with the demanding Passion.” -Web Behrens, NewCity
Jeff Awards & Nominations (Non-Equity)
Music Direction / Eugene Dizon
Actress in a Principal Role-Musical or Revue / Marlene Flood (award winner)
Chicago Premiere
Colette Collage
October 15 – November 28, 1999 at The Athenaeum Theatre
Music by Harvey Schmidt
Lyrics by Tom Jones
Book by Elinor Jones
Direction by Ann Filmer and L. Walter Stearns
Music Direction by Eugene Dizon
“A very charming, engaging and highly professional production of challenging material. This pleasing show is well worth seeing.” -Chris Jones, Chicago Tribune
Jeff Award Nominations (Non-Equity)
Actress in a Principal Role-Play / Suzanne Genz
Music Direction / Eugene Dizon
Merrily We Roll Along
March 6 – June, 2000 at The Athenaeum Theatre
Music & Lyrics by Stephen Sondheim
Book by George Furth
Direction by L. Walter Stearns
Musical Direction by Eugene Dizon
“Porchlight…delivers a creation that is, in its own right, a stunning victory. Following the successes of Falsettos and Colette Collage, Porchlight now stands as the premier musical non-Equity company in Chicago. Period.” Four out of four stars. -Jeff Rossen, Gay Chicago Magazine
Jeff Awards & Nominations (Non-Equity)
Best Production-Musical
Direction-Musical / L. Walter Stearns
Music Direction / Eugene Dizon (award winner)
Actor in a Principal Role-Musical / Stephen Rader
Actor in a Principal Role-Musical / Charlie Clark
Choreography / Samantha Fitschen (award winner)
After Dark Awards
Outstanding Direction / L. Walter Stearns
Outstanding Musical Direction / Eugene Dizon
Outstanding Performance / Charlie Clark
Ruthless!
November 20, 1998 – January 10, 1999 at The Athenaeum Theatre
Co-produced with Effective Theatre
Book & Lyrics by Joel Paley
Music by Marvin Laird
Direction by L. Walter Stearns
Musical Direction by Eugene Dizon
“(A) tuneful laughfest…(the actors) attack the marvelous material with energy and attitude.” -Albert Williams, Chicago Reader
Chicago Premiere
Falsettos
April 9 – August 9, 1999 at The Athenaeum Theatre
Summer 2000 revival at Theatre on the Lake
Co-produced with The Athenaeum Theatre
Music & Lyrics by William Finn
Book by James Lapine and William Finn
Direction by L. Walter Stearns
Music Direction by Eugene Dizon
“Porchlight Theatre, which has given us fine productions of ‘Ruthless!’ and ‘The Vanishing Point’…delivers both its most effective work yet and the best local production of ‘Falsettos’.” -Jeff Rossen, Gay Chicago Magazine
Jeff Award Nominations (Non-Equity)
Music Direction / Eugene Dizon
After Dark Awards
Outstanding Performance / Janna Cardia
Macabaret
September 11 – October 11, 1997 at Victory Gardens Theatre (2257 N. Lincoln)
By Robert Hartmann and Scott Keys
Direction by Jeff Stephens
Music Direction by Christopher Staton
Choreography by Tesha Buss
“Polished, with tight-harmony vocal arrangements in a variety of Broadway styles…the strong-voiced cast is showcased in…a pleasant hour.” -Jonathan Abarbanel, Windy City Times
World Premiere
The Vanishing Point
June 19 – August 9, 1998 at The Athenaeum Theatre
By Robert Hartmann and Scott Keys
Direction by Wm. Eric Bramlett
Music Direction by Eugene Dizon
“Empowering…a tantalizing musical mix…intriguing emotional and intellectual territory.” Recommended. -Lucia Mauro, Chicago Sun-Times
After Dark Awards
Outstanding Music and Lyrics / Rob Hartmann and Scott Keys
World Premiere
The Still Time
August 22 – September 21, 1996 at The Neo-Futurarium (5153 N. Ashland)
By K.R. Cahill
Direction by Wm. Eric Bramlett
“..drama by K.R. Cahill, which compares the life of a fictitious HIV-positive junkie to two real people – a German girl who died fighting Nazis in the 1940s and an American cabaret singer who died of cancer last year.” –Chicago Reader
Macabaret
October 3 – October 31 at The O Bar & Cafe (3343 N. Clark)
By Robert Hartmann and Scott Keys
Direction by Jeannette LeGault
Music Direction by Steven Sivak
“…a quite enjoyable nocturnal hour of original songs…the twenty fast-paced revue-style numbers make for surprisingly sophisticated entertainment…a pleasant change from the clichéd Halloween fare.” -Chris Jones, NewCity
World Premiere
Hereafter
November 8 – December 14 at StageLeft Theatre (3408 N. Sheffield)
By Robert Hartmann and Scott Keys
Direction by Richard Israel
Music Direction by Cyndi Stevens
“Hereafter is the best new musical I’ve seen here since last season’s alternately jokey and affecting Macabaret…this refreshingly whimsical musical sheds light on the struggles of people who probably wouldn’t be cool enough to inhabit the bohemian haunts of Rent.” -Adam Langer, Chicago Reader
World Premiere
Women Who Love Science Too Much
September 2 – September 30 at Red Bones Theatre (4139 N. Broadway)
By K.R. Cahill
Direction by Wm. Eric Bramlett
“Playwright K.R. Cahill covers a lot of amorous territory, with each amorous revelation inventively detailed by director Wm. Eric Bramlett…it may prove the perfect date show.” -Lawrence Bommer, Chicago Tribune
Chicago Premiere
Macabaret
October 20 – November 18, 1995 at Organic Theater Greenhouse/Lab Theater (3319 N. Clark St.)
By Robert Hartmann and Scott Keys
Direction by Robert Hartmann
Music Direction by Steven Sivak
“Produced here by the new Porchlight Theatre Ensemble and directed by one of its creators, Robert Hartmann…make for surprising sophisticated entertainment.” -Chris Jones, Chicago Reader
Chicago Premiere
Family Album
January 15 – February 20, 1996 at StageLeft Theatre (3408 N. Sheffield)
By Jenny Noa
Direction by Christopher Gurr
“An engaging piece of un-traditional theatre…Noa’s performance is provocative, mature even humorous. Deeply personal, her show captures what it means to contend with a family history.” -Gabrielle S. Kaplan, Chicago Reader
Three Sisters
May 31 – June 29, 1996 at Footsteps Theatre (5230 N. Clark)
By Anton Chekhov
Direction by Wm. Eric Bramlett
“Porchlight Ensemble’s attempt at staging a classic certainly commendable…bringing the great dramas to grassroots audiences.” -Mary Shen Barnidge, Theatre Critic