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Chicago Tribune – Chris Jones

http://www.chicagotribune.com/entertainment/theater/reviews/ct-ent-gypsy-porchlight-review-1018-story.html

FOUR OUT OF FOUR STARS

“…far and away the best piece of direction of Weber’s long career in Chicago musicals.”

“So on fire is Butler’s Mama Rose that her own mouth can barely keep up with feelings. So furious is her drive — so palpable her assumption of an American foot soldier who wants nothing more than to be noticed — that everyone who shares the stage with her digs all the way down to their boots, all night long, just so they don’t, by comparison, disappoint.”

“All in all, this is one of those rare Chicago theater moments truly to savor. This work is hard; rarely does it come up roses quite like this.”


Chicago Sun-Times – Alex Huntsberger

https://chicago.suntimes.com/entertainment/gypsy-porchlight-music-theatre-e-faye-butler-stage-theater-chicago-things-to-do/

FOUR OUT OF FOUR STARS

“Spectacular”

“What to make of Mama Rose? She’s a loving mother and a tyrant, a striving dreamer and a terrible bully, a wild-eyed maniac and a tragic hero — or maybe it’s a tragic villain. As played by Chicago stage treasure E. Faye Butler, the indomitable Rose is all of these things, both maelstrom and delicate flower that, like her namesake, loses its petals in the slightest breeze. Oh, and she’s also a star. Something that Butler never lets you forget.”

“In this moody, magnificent production from Porchlight Music Theatre, director Michael Weber understands the Shakespearean forces at play.”

“… in the hands of stars like E. Faye Butler, “Gypsy” remains as powerful as ever”


NewCity – Amanda Finn

https://www.newcitystage.com/2018/10/17/e-faye-butlers-turn-a-review-of-gypsy-at-porchlight-music-theatre/

RECOMMENDED

“For E. Faye Butler, the dream has been to play Mama Rose in “Gypsy” and, by God, she does.”

“It’s clear from the moment Jillian-Giselle opens the show by staring, mesmerized, at the instruments performing around her, that what is about to take place at Porchlight is a wonder. When is there going to be an E. Faye Butler cast recording of this show?”


PicksinSix – Ed Tracy

https://www.conversationswithedtracy.com/picksinsix/2018/10/17/picksinsix-gypsy-a-musical-fable

““Gypsy” will take your breath away!”


AroundtheTownChicago.com – Al Bresloff

http://www.aroundthetownchicago.com/theatre-reviews/gypsy-3/

FIVE OUT OF FIVE STARS

“If you were down near Division and Dearborn last night , and felt the earth moving, it was not an earthquake. It was the Porchlight Music Theatre’s production of “Gypsy” and the unbelievable E. Faye Butler bringing Mama Rose to life!”

“Under the spirited direction of Michael Weber, who adds a lot of creativity to this timeless classic, this is a version that will make you forget all others you have witnessed before.”

“Songs such as “Let Me Entertain You”, “Small World”, “You’ll Never Get Away From Me”, “Together, Wherever We Go”, “Everything’s Coming Up Roses” and many others are surely classics and this energetic cast does every number to perfection.”


TheFourthWalsh.com – Katy Walsh

http://thefourthwalsh.com/2018/10/review-gypsy-porchlight-music-theatre-butler-is-tour-de-force/

HIGHLY RECOMMENDED

“E. Faye Butler (Mama Rose) owns this stage from the moment she steps on it. Her pipes, whether screaming for her way or lifting the rafters in song, are undeniably extraordinary. Butler is a tour de force in her non-stop, dynamic performance! Her commanding presence is palpable. … E. Faye Butler is irresistable!”

“Director Michael Weber masterfully cast Butler in the lead and gave her a terrific supporting ensemble.”

“I highly, highly recommend it!!”


PictureThisPost.com – Susan Lieberman

https://www.picturethispost.com/porchlight-theatre-presents-gypsy-review-in-search-of-home/

BEST PLAY PICK

“Chicago’s own E. Faye Butler takes charge with a tight grip.”

“If you need a break from the “orange” holidays (Halloween and Thanksgiving), Porchlight Music Theatre’s production of GYPSY might just be the ticket.”


ChiTheatreAddict.com – Robert Bullen

https://chitheatreaddict.com/2018/10/18/gypsy-at-porchlight-music-theatre/

“Butler has always been a force. For decades she’s been stopping shows – either as the star, supporting roles or in solo acts. She’s a performer’s performer. She knows how to deftly set up an emotional moment and knock it out of the friggin’ park.”

“This is a one-of-a-kind staging that goes down as one of my favorites. Director Michael Weber has truly rethought the piece from the ground-up, with his star’s energy as the guiding focus. Just like Butler, this production is unfussy, bold, and brassy.”

“But back to Miss Butler. She is the reason for the season. Never have I seen a Rose that’s so unabashedly ferocious and funny – and swinging between the two extremes like a prize fighter. The woman is fearless.”

“I don’t think I’ll see a more thrilling performance of this number as long as I live.”


StageandCinema.com – Lawrence Bommer

https://www.stageandcinema.com/2018/10/21/gypsy-porchlight/

HIGHLY RECOMMENDED

“LET HER ENTERTAIN YOU!”

“In Michael Weber’s superb staging for Porchlight Music Theatre, the life force known as [E.Faye] Butler rents the part to buy. A born belter when she sings, but almost carnivorous when she strikes out to defend her dreams, Butler sinks her show-stoppers (“Everything’s Coming Up Roses,” “Small World”) in a character as non-negotiable as hunger, and as basic as breathing. “A pioneer woman without a frontier,” Rose is every striver who’s sick of second billing when she can taste the marquee.”

“Weber’s elaborate staging surrounds Mama Rose with tailor-made triumphs, namely José Antonio García, down-to-earth and feelingly frustrated as Rose’s patient suitor Herbie, Aalon Smith as the temperamental ex-Baby June, and, above all, Daryn Whitney Harrell, a self-effacing Louise until she blossoms into Gypsy Rose Lee.”

“…everything feels natural, like Marco Tzunux’s awesome semi-solo as dance-happy Tulsa crooning how “All I Need Is the Girl” and the never-more-hilarious trio “You Gotta Get a Gimmick,” vaudevillian overkill strutted to the skies by Melissa Young, Dawn Bless, and Chicago favorite Honey West. Tzunux’s too-brief song-and-dance and, yes, even the novelty number with trumpet, lights and pasties remind us exactly why we sit in our seats or, more importantly, don’t. Everything’s coming up Gypsy.”


Performink.com – Kelsey McGrath

http://perform.ink/review-gypsy-at-porchlight-music-theatre/

CRITICS’ PICK

“It’s Rose’s World and We’re Just Living In It. Rather, E. Faye Butler’s world and we should all be HONORED to live here. Porchlight’s GYPSY kicks off their 24th season and it’s a masterpiece. With Butler as Mama Rose, everything comes up Roses, whether we’re ready or not.”

“The intentional choice to cast Mama Rose, Louise, and June as women of color was the most eye-opening, refreshing musical theatre experience I’ve ever had.”

“Butler is heartbreaking and passionate and genuine and and and she is everything.”

“Porchlight’s GYPSY needs to be seen by everyone. #representationmatters and with GYPSY, Porchlight once again uses their musical theatre platform to tell a gorgeous, incredibly human story.”


Dueling Critics on WDCB “The Arts Section” – Kelly Kleiman and Jonathan Abarbanel

https://wdcb.org/program/arts-section (section begins at 19:00)

“Oh my. Oh my. Oh my. I have seen a number of wonderful actors play and sing Mama ERose including the original Ethel Merman… I’ve never seen anyone like E. Faye Butler… and it is a phenomenal performance.”

“This is an astonishing performance and one certainly that is not to be missed and one of the performances of the year or several years on the Chicago stage.”

“Send it to New York – it is an unbelievably great performance…. This is above and beyond!”

“She is one for the ages..And the rest of the cast is really wonderful.”

“This is so great, if you have seen it before, you will see it anew. I hope there is a producer that takes this to New York.”


Chicago Reader – Tony Adler

https://www.chicagoreader.com/chicago/gypsy-porchlight-music-theatre/Content?oid=60825388

READER RECOMMENDED

“If race matters at all in this staging, it’s to demonstrate that Gypsy has crossed a cultural line. That it’s entered so far into the American canon that it’s beyond biography and impervious to petty conventions. That it’s accrued enough resonance over half a century that it’s no longer a showbiz tale, but one about children, parents, and unexpected transformations.”

“And thank God for that, because I’d hate to think mere verisimilitude might’ve kept E. Faye Butler from playing Rose. … Her Rose is one great, ferocious growl—the human embodiment of guts, grit, starch, brass, and spunk, not to say loneliness, pain, and compulsion. As the Porchlight folks well know, since they’ve put her name over the title, Butler by herself is worth the price of admission.”

“Yet she’s far from by herself. José Antonio Garcia is poetically hapless as Herbie. Dawn Bless, Honey West, and Melissa Young are a collective hoot as Louise’s mentors in the art of the ecdysiast. Aalon Smith conveys a deep frustration as the grown June, and Izzie Rose a perfect (and therefore somewhat disturbing) charmer as the Baby June. Daryn Whitney Harrell takes a while to metamorphose from Louise to Gypsy Rose Lee, but when she finally bites back at Rose she’s convincing.”


WTTW – Hedy Weiss

https://news.wttw.com/2018/10/17/porchlight-s-gypsy-mama-rose-hurricane-force

“a production remarkable in countless ways … with her force-of-nature personality, powerhouse voice and galvanic emotional range, Butler clearly was born to play Mama Rose.”

“The brilliance that marks Weber’s production is evident from the moment the rousing overture begins.”

“Izzie Rose, an apple-cheeked, clarion-voiced dynamo of a tot, turns in a hilarious, cartwheel-turning performance that makes her the most convincing Baby June I’ve yet to see.”

“Along the way there are the wonderfully over-the-top antics of the three past-their-prime, bump-and-grind-style strippers – Tessie Tura (Melissa Young), Mazeppa (Dawn Bless) and Electra (Honey West); a romantic song-and-dance number, “All I Need is the Girl,” winningly performed by Marco Tzunux (and expertly choreographed by Chris Carter); several turns by Larry Baldacci as various addled theater producers; and a deft ensemble.”

“But of course it is Butler who once again brings down the house with “Rose’s Turn” – that bitter confessional, exorcism and torrent of rage. Rose is not lovable, but like the actress playing her, she is indomitable.”


ChicagoTheatreReview.com – Colin Douglas

https://www.chicagotheatrereview.com/2018/10/here-she-is-boys-here-she-is-world-2

HIGHLY RECOMMENDED

“The most recent Rose in Chicago is an actress who was born to play this role: E. Faye Butler. This gifted actress is an absolute force of nature.”

“E. Faye Butler uses her strong vocal talent to gently caress and coax Sondheim’s brilliant lyrics from Styne’s melodies. The result is that most of her songs play like musical monologues (“Small World,” “Some People”); the actress brings a richer, deeper understanding to the music that’s become so familiar to theatre fans.”

“The rest of the cast is stellar. The children are all excellent, especially Izzie Rose and Jillian-Giselle, as Baby June and Young Louise. Melissa Young, Dawn Bless and Honey West (who also plays a droll Miss Cratchitt) play a trio of strippers, Tessie Tura, Mazeppa and Electra, who bump and grind the bejesus out of “You Gotta Get a Gimmick.” David Fiorello’s musical direction, including his full, brassy, six-member onstage orchestra, is outstanding. Jeffrey D. Kmiec’s flexible scenic design, dominated by a gigantic movable, proscenium arch, complete with an act drape, provides the icing on this delicious theatrical cake.”

“Once Chicagoans hear about this fabulous production, every savvy theatergoer will be following her example by getting up and out to the Ruth Page Center for the Arts in order to experience Michael Weber’s never-to-be-forgotten production. This is a chance to see the fabulous E. Faye Butler, one of Chicago’s finest musical actresses, in role that seems written especially for her. It’s is a production of a show that keeps its musical promise to Entertain You and Make You Smile.”


“Backstage,” Comcast Network & “Behind The Curtain,” WGNPlus – Paul Lisnek

“E. Faye Butler’s performance as Mama Rose in “Gypsy” is that rare theatrical moment when Actor meets character role in a way that is kismet, meant to be. If you did not know “Gypsy” was written in 1959, you would swear that this role was written specifically  for E. Faye Butler. Sometimes seeing an actor perform a particular role is something that theater lovers just have to do….like Bette Midler in “Hello Dolly” or Angela Lansbury in “Sweeney Todd”….well, E Faye Butler as Mama Rose is one of those moments you must experience and cherish for a lifetime.”


Rescripted Reviews – Sherri Allender

http://rescripted.org/2018/10/31/butler-gypsy/

“The production of Gypsy by Porchlight at the Ruth Page Center for the Arts, represents the very best of musical theatre.”

“The complex and bawdy role of Rose has been played by greats such as Ethel Merman, Bernadette Peters, Patti Lupone, and Angela Lansbury, and Butler steps into the shoes with ease and grace, sending the audience on a roller-coaster ride of laughter and emotion.”

“And when she [E. Faye Butler] opens her mouth to sing – brace yourself as the heavens break open with triumphant glory.”

“Casting Rose as a black woman adds a level of deliciousness to the story for anyone who has had the pleasure of having been raised by, or is friends with, a certain kind of black woman. The experience of having an unconventional mother is a universal one, and non-traditional casting extends the tent of belonging in a beautiful way.”

“Across the board, every element of the musical is spectacular. Michael Weber’s elegant staging is highlighted by the simple and stunning set (Jeffrey D. Kmiec) The band led by music director David Fiorello is absolutely magnificent, and the jokes crackle and pop with lively energy.”

“Gypsy at Porchlight is one of the best shows you will have the opportunity to see this season…”


ChicagolandMusicalTheatre.com – Barry Rezel

https://www.chicagolandmusicaltheatre.com/e-faye-butlers-nuanced-performance-as-mama-rose-elevates-porchlights-gypsy-to-must-see-musical-theatre/

“In Porchlight Music Theatre’s current production of the musical fable, Gypsy, it matters not whether Louise sings out (she does); because this stage belongs fully to her mother, the muther of all stage mothers, performed to stylized perfection by a true Chicagoland treasure.”

“Butler owns the Porchlight production with a nuanced performance of musical theatre’s most complex character, the outed, vaudevillian mommie dearest of famed stripper Gypsy Rose Lee.”

“Together with massive, ensemble cast of more than 30 talented actors, they combine to make this Gyspy a must-see production.”


ChicagonStage.com – Karen Topham

http://chicagoonstage.com/gypsy-is-a-showcase-for-e-faye-butler-and-a-dynamite-cast/

HIGHLY RECOMMENDED

““Gypsy” is a showcase for E. Faye Butler and a dynamite cast”

“From the moment she[E. Faye Butler] steps onto the stage in the iconic lead role of Porchlight Theatre’s magnificent new production of Gypsy, she just dominates it as if the role has simply been out there waiting for her to take it on (and this is a role originated by the great Ethel Merman).”

“Both actresses playing June are perfect as the effervescent child star, and Smith gets to add the layers of disappointment and frustration with her mother’s dictatorial methods that come with growing up. Dawn Bless, Melissa Young and Honey West have a hilarious turn as three strippers that Louise meets in a burlesque gig. Marco Tzunux delivers a memorable performance as the talented dancer Tulsa. And García is solid as Herbie, who only wants to make Rose happy but discovers that nothing short of the limelight is ever going to be capable of doing that.”


Let’s Play – Chicago Now – Rick and Brenda McCain

http://www.chicagonow.com/lets-play/2018/10/gypsy/

HIGHLY RECOMMENDED

“E. Faye Butler who leads the cast in ‘Gypsy’ as ‘Mama Rose’ Broadway’s legendary “stage mother.” Like so many before her playing the character of Mama Rose she brought her feisty persona to life with a lot of zest.”

“Director Michael Weber showcases this dynamic fast-paced musical as it follows the dreams and hardships of Mama Rose to raise her two daughters to perform on stage; as it casts an affectionate eye on the struggles of business life during the vaudeville era!”


BroadwayWorldChicago – Rachel Weinburg

https://www.broadwayworld.com/chicago/article/BWW-Review-GYPSY-at-Porchlight-Music-Theatre-20181021

“Butler commands the Porchlight stage with a presence that’s both larger-than-life and also at the same time a deeply revealing character study. To say that Butler’s portrayal of Mama Rose is a star turn is almost not enough. Butler seems to live and breathe this role; she does not appear to be acting but rather fully inhabiting this iconic character.”

“Vocally, Butler’s performance is equally jaw dropping”

“Butler’s masterful performance is reason enough to see Porchlight’s GYPSY, but she’s also in great company. This entire production will entertain you, indeed. Artistic Director Michael Weber’s taut direction makes the musical move at captivating pace; though GYPSY is close to three hours long, the “action never drags.”

“As Louise, Daryn Whitney Harrell showcases her beautiful vocals without giving away the ending. Harrell’s Louise is necessarily timid and withdrawn in her earlier scenes, which makes her transition to the famous Gypsy Rose Lee all the more captivating. Harrell allows us to see the character truly come into her own. Along with Aalon Smith as June, both actors enable us to see the immense pressure that Mama Rose’s demands put on the sisters. Harrell and Smith also have a winning moment in their duet “If Momma Was Married.” They harmonize beautifully and also maximize the comedic beats in the number.”

“As talent agent and Rose’s love interest Herbie, José Antonio García is perfectly affable and just a little gruff. These acting choices precisely suit the role. Kudos must also be given to Marco Tzunux as Tulsa, who dances up a storm, and Elya Faye Bottiger as Agnes, who has daffy and delectable comedic timing. In the second act character number “You Gotta Get A Gimmick,” Dawn Bless, Honey West, and Melissa Young have wonderful turns-though I won’t spoil exactly how they take on this song.”

“Butler’s magnificent portrayal of Mama Rose makes this GYPSY a must-see. Look out, Chicago. It’s Butler’s turn. And she is making the most of it.”


Windy City Times – Kerry Reid

http://www.windycitymediagroup.com/lgbt/Gypsy-/64517.html

“Let’s be honest—E. Faye Butler as Rose in Gypsy is a dream come true for musical-theater lovers. But although she’s undoubtedly the best reason to see Michael Weber’s staging for Porchlight Music Theatre ( few star turns get, well, starrier than this role ), this Rose is surrounded by a bouquet of flowering talents…”

“Although the production doesn’t make a single change to the book or lyrics to reference it, seeing Rose and her family played by Black actors adds extra poignancy to their story as they scramble to find work on the dying vine of Depression-era vaudeville. When Louise ( Daryn Whitney Harrell ) takes off the blonde wig meant to conjure her more-talented sister June ( Aalon Smith ), who has eloped, and tells Rose “I’m not June,” it registers at a deeper level. She’s not her sister—and she’s not a white blonde girl, either.”

“Chris Carter’s choreography nails the awkwardness of Louise’s back-up dancers ( even through that cringey “toreador” number ) and the we-suck-at-dancing-but-we-don’t-care bravado of the You Gotta Get a Gimmick trio. ( Terrific turns by Melissa Young, Honey West and Dawn Bless as Tessie Tura, Electra and Mazeppa, respectively, showing off Bill Morey’s cunning costumes ). Like Rose herself, David Fiorello’s six-piece band knows how to pull off a driving tempo with a hint of underlying sadness.”


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